The Lady of the Camellias and Madame Bovary in Dostoevsky’s Novel The Idiot [PDF]
The article analyzes the place and role of two novels, The Lady of the Camellias by Alexandre Dumas fils (1848) and Madame Bovary by Gustave Flaubert (1856), in Dostoevsky’s novel The Idiot (1868). It demonstrates how Dostoevsky introduces Dumas’ text in
Tatiana G. Magaril-Il’iaeva
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A staged version by V. Krylov and G. Sutugin of Dostoevskys novel The Idiot (1899) is the only staging of this novel in the XIX century that was approved by censors and directed in two theaters: the Maly Theater and the Alexandrinsky Theater.
Polina V. Babushkina
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Textual Analysis and new Facts for а History of the Text (on the Material of F.M. Dostoevsky’s Manuscripts) [PDF]
The article is devoted to the principles of textual research of F.M. Dostoevsky’s manuscripts on the material of the writer’s artistic ideas of the 1860s – 1870s (The Idiot, “The Eternal Husband”, The Adolescent, The Demons).
Natalia A. Tarasova
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The Legend of Rothschild as the “Napoleon of Finance” in Dostoevsky’s Novel The Idiot [PDF]
The article analyzes the Rothschild theme in the novel The Idiot, a motif strictly connected with the myth of Napoleon, in which Dostoevsky was keenly interested during all his artistic life.
Nikolai N. Podosokorsky
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Batik Ciprat, Identitas dan Pemberdayaan Ekonomi Penyandang Disabilitas Kampung Idiot Ponorogo
Jumlah tenaga kerja yang tinggi masih belum diimbangi dengan ketersediaan lapangan kerja yang mencukupi. Kondisi seperti ini memerlukan solusi agar angka pengangguran tidak semakin bertambah.
Evi Gravitiani +4 more
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Die Weisheit eines Fallsüchtigen – über Dostojewskis Idiot
In F. Dostojewskis Roman Der Idiot steht die Figur des verarmten und unter epileptischen Anfällen leidenden Fürsten Myschkin, der unverkennbar an die Gestalt von Jesus Christus erinnert, aber auch Züge der Schiller'schen schönen Seele trägt, im Zentrum ...
Hans Richard Brittnacher
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“It’s All One Big Fantasy”: The Critique of Modernity in Dostoevsky’s Novel The Idiot [PDF]
The opposition between Europe and Russia runs through Dostoevsky’s novel The Idiot, culminating in Mme Epanchina’s declaration that both Europe and the Russians who travel to Europe are “one big fantasy” [Dostoevsky, 2002, p. 615].
Katya Jordan
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Dostoevsky and David Foster Wallace: On Parallel Tracks? [PDF]
The article discusses ways in which David Foster Wallace engages with Dostoevsky’s life and works. The article points out that Wallace’s commencement speech, “This Is Water,” makes no direct references to Dostoevsky, yet the moral and spiritual values ...
Ellen Chances
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Death, New Land, and New Nature in Dostoevsky’s Novel The Idiot [PDF]
The article is dedicated to the analysis of the main concepts in the novel The Idiot aimed at a better understanding of its most enigmatic scenes. The main word of the novel is “new”, both on a plot level and on a deeper, ontological one.
Tatiana A. Kasatkina
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Prince Myshkin’s Bundle: the Function of a Symbolic Detailin Dostoevsky’s Novel Тhe Idiot [PDF]
The article deals with the artistic function of the symbolic detail in F.M. Dostoevsky’s novel The Idiot. Such a meaning-forming symbolic detail, a thingthrough which reveals not only the essence of the personality of the protagonist, butalso the ...
Olga Y. Yuryeva
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