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Listening to the Mind Listening
Media International Australia, 2006The Listening to the Mind Listening concert was a practice-led research project to explore the idea that we might hear information patterns in the sonified recordings of brain activity, and to investigate the aesthetics of sonifications of the same data set by different composers. This world-first concert of data sonifications was staged at the Sydney
Stephen Barrass +2 more
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2021
Abstract Practically speaking, listening is the primary reason music exists at all. Providing a meaningful sonic experience for others is largely the reason that composers work so hard on their creations and performers enter the stage or recording studio.
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Abstract Practically speaking, listening is the primary reason music exists at all. Providing a meaningful sonic experience for others is largely the reason that composers work so hard on their creations and performers enter the stage or recording studio.
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2023
This chapter exemplifies how a Listener got a whole village of people in their lives whom they trust and who support them. When they are faced with a challenge or a decision, Listeners know they can rely on their people. They always have a plethora of advice ready for them when they ask, and they don't have to make a decision by themselves. The chapter
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This chapter exemplifies how a Listener got a whole village of people in their lives whom they trust and who support them. When they are faced with a challenge or a decision, Listeners know they can rely on their people. They always have a plethora of advice ready for them when they ask, and they don't have to make a decision by themselves. The chapter
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Narrative listening to the narrative listeners
When we engage in narrative listening, the purposeful act of attending to another's story, we are ideally a part of an agreement that a co-construction of a person's understanding of their own narrative identity is underway (Bamberg & Georgakopoulou, 2008; McAdams, 2013).Mitchell, Katherine Jane +3 more
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2023
Is there a culturally specific understanding of sound—a “Chinese” sound? What are the implications of asking such questions? Sound, as an object of study, embodies ontological ambiguity. It operates simultaneously as an object, an event, and a relationship, necessitating a distinctive mode of thinking that addresses not only its medium specificity but ...
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Is there a culturally specific understanding of sound—a “Chinese” sound? What are the implications of asking such questions? Sound, as an object of study, embodies ontological ambiguity. It operates simultaneously as an object, an event, and a relationship, necessitating a distinctive mode of thinking that addresses not only its medium specificity but ...
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2007
AbstractThe third musical role, the listener, is discussed in this chapter. The opening section describes the physiological aspect of listening and reveals it to be a complicated process that transforms acoustical stimuli into images or notions that can be experienced.
Andreas C. Lehmann +2 more
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AbstractThe third musical role, the listener, is discussed in this chapter. The opening section describes the physiological aspect of listening and reveals it to be a complicated process that transforms acoustical stimuli into images or notions that can be experienced.
Andreas C. Lehmann +2 more
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2013
When the expectant stillness consequent upon the exclamation had nearly died out of them all, an increasing light made itself visible in one of the windows of the upper floor.
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When the expectant stillness consequent upon the exclamation had nearly died out of them all, an increasing light made itself visible in one of the windows of the upper floor.
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International Listening Association. Journal, 1946
(1946). The problem of listening. Quarterly Journal of Speech: Vol. 32, No. 4, pp. 505-508.
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(1946). The problem of listening. Quarterly Journal of Speech: Vol. 32, No. 4, pp. 505-508.
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