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Manchurian Candidates: Forensic Hypnosis in the Cold War
Grey Room, 2011In the winter of 1960‐1961, Los Angeles newspapers were filled with the story of a young man who had committed a series of murders—acts that were apparently set in motion each time he saw a particular series of images. This was not Richard Condon’s famous character Raymond Shaw, whose fictional story was very much in the press.
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Trauma, Shame, and Men's Tears in The Manchurian Candidate
Camera Obscura: Feminism, Culture, and Media Studies, 2017Charles S. Young and Susan L. Carruthers describe John Frankenheimer's The Manchurian Candidate (US, 1962) as a prisoner-of-war film. This article argues that, as such, it stages the responses of its male protagonists to trauma. Focusing on weeping, the article examines the representation of masculine traumatic symptoms in both Richard Condon's 1959 ...
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Exit gender, exit race: Jonathan Demme's "Update" of the Manchurian Candidate
2015Zweitveröffentlichung
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