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Bone Accrual Trajectories in Children and Adolescents With Perinatal HIV Infection.
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Strafe VII (Meister und Margarita) / Punishment VII (Master and Margarita)
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Master and Margarita: a Literary Autobiography?
Literature and Theology, 2006The dialectics of a triad—the author, his creation, and the surrounding reality—is the focus of this essay, which aims to discover how much of his soul Mikhail Bulgakov put into his famous opus, Master and Margarita. The author's mind becomes a bifurcation point between his work and reality, a kind of Borgesian Aleph, where causality might change ...
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Tacitean sidelights on The Master and Margarita
International Journal of the Classical Tradition, 1997Bulgakov's use of Tacitus' Annals in The Master and Margarita repays attention. Tacitus inspired his invention of Pilate's pre-Judaean career, the governor's physical courage being illustrated by flashbacks to the battle of Idistaviso (Ann. 2.16–18), while Tacitus' description of the operation of the law relating to maiestas (minuta) and of the ...
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Proceedings of the 15th International Academic MindTrek Conference: Envisioning Future Media Environments, 2011
This paper presents Master and Margarita, an interactive audiovisual project for web and performance adapting Mikhail Bulgakov's novel of the same name. It aims to address two main research questions. First: how to integrate music and motion graphics in an interactive audiovisual project for the web and performance, in a way that is versatile, easy to ...
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This paper presents Master and Margarita, an interactive audiovisual project for web and performance adapting Mikhail Bulgakov's novel of the same name. It aims to address two main research questions. First: how to integrate music and motion graphics in an interactive audiovisual project for the web and performance, in a way that is versatile, easy to ...
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Gounod's Faust and Bulgakov's the Master and Margarita
Russian Review, 1996M ikhail Bulgakov's love of the opera Faust verged on the fanatical. According to his sister Vera, the young Bulgakov attended no fewer than forty-one performances of Gounod's opera in Kiev. His first wife recalled that the writer often sang two arias from Faust: Mephistopheles' "Le veau d'or" [calf of gold] (in Russian: "Na zemle ves' mir liudskoi ...
David Lowe, null Gounod, null Bulgakov
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