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Through the Prism of Aesthetics. Napoleonic Myth in the Works of Goethe and Nietzsche
The reception of Napoleon in Germany was carried out under the sign of an aesthetic myth. The aesthetic myth is understood as a set of theories, concepts and texts of culture based on the idea of transforming the world through artistic creativity. Starting with romanticism, the aesthetic myth determines the specifics of the German discourse of culture.
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Napoleonic Expedition to Egypt: Myth and Reality
Korean Society for European Integration, 2020exaly +2 more sources
AbstractThe Battle of the Teutoburg Forest between the Germanic Cherusci chieftain Arminius, or Hermann, and the Roman armies under Varus (9 AD) had served as an analogy for German–French hereditary enmity since the Thirty Years’ War (1618–48). This analogy was particularly popular during the Napoleonic Wars as it symbolized the unity, independence ...
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The Myth and Reality of Italian Regionalism: A Historical Geography of Napoleonic Italy, 1801–1814
American Historical Review, 2003exaly +4 more sources

