Results 251 to 260 of about 40,659,686 (282)
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One Foot on the Streets, One Foot on the Web
2018Digital communication technologies are modifying how social movements communicate internally and externally and the way participants are organized and mobilized. This transformation calls for a rethinking of how we conceive of and analyze them.
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On the One Hand … (The One That Writes the Body)
2013The stage is an almost unique meeting point for text and matter. While textual prescriptions or proscriptions abound in human life, from religious tracts to legal pronouncements to self-help books and so on, the stage provides a unique space in which the relationship between the static, two-dimensional page and the kinetic, material world that it is ...
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New England Journal of Medicine, 2017
A 27-year-old man presented to the emergency department with a 5-day history of fevers. Test your diagnostic and therapeutic skills at NEJM.org.
Erik H, Knelson +4 more
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A 27-year-old man presented to the emergency department with a 5-day history of fevers. Test your diagnostic and therapeutic skills at NEJM.org.
Erik H, Knelson +4 more
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October, 2005
OCTOBER 113, Summer 2005, pp. 39–76. © 2005 Mignon Nixon. There is a scene in Nanni Moretti’s film The Son’s Room (2001) in which a prospective patient, a middle-aged man making his first visit to a psychoanalyst, pauses upon entering the consulting room to examine the couch. It is a fine couch, he remarks, “simple, comfortable, even elegant in its way.
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OCTOBER 113, Summer 2005, pp. 39–76. © 2005 Mignon Nixon. There is a scene in Nanni Moretti’s film The Son’s Room (2001) in which a prospective patient, a middle-aged man making his first visit to a psychoanalyst, pauses upon entering the consulting room to examine the couch. It is a fine couch, he remarks, “simple, comfortable, even elegant in its way.
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Fourth EAGE Workshop on Assessment of Landslide Hazardsand impact on communities, 2023
D. Liashenko +4 more
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D. Liashenko +4 more
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Journal of Lesbian Studies, 2004
Abstract Susan McCully's solo performance piece "Still1 the One" parodies the jealousies and obsessions that may haunt a lesbian relationship. While one character romanticizes her ideal ex-lover, the other char-acter-her current partner-struggles to live up to the standards set by the dearly departed ex.
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Abstract Susan McCully's solo performance piece "Still1 the One" parodies the jealousies and obsessions that may haunt a lesbian relationship. While one character romanticizes her ideal ex-lover, the other char-acter-her current partner-struggles to live up to the standards set by the dearly departed ex.
openaire +2 more sources