Results 51 to 60 of about 176 (153)
Before It Was ‘New’: A Neglected History of Lived Experience–Led Criminal Justice
ABSTRACT A growing range of criminal justice initiatives are being shaped and delivered by people with lived experience, including peer mentoring, prisoner councils and policy advocacy roles. While often seen as recent innovations, we reveal a deeper, largely unacknowledged history dating back to at least the 19th century.
Gillian Buck +2 more
wiley +1 more source
Abstract In the context of the European Union's (EU's) geoeconomic shift, the governance of Trade and Sustainable Development (TSD) has become a central yet contested pillar of its external trade policy. Accusations of green colonialism highlight the stakes around how partner countries interpret the EU's normative agenda.
Camille Nessel, Zhihang Wu
wiley +1 more source
Dramaturgy as a Source for a History of Stage Lighting: Pirandello capocomico thinker of lighting
The present article, in the proposal of a history on the thought about the making of a modern stage lighting, focuses on the context of the early 20th century modern Italian scene, using the metatheatrical dramaturgy of Luigi Pirandello as documentary ...
Berilo Luigi Deiró Nosella
doaj
Tonner contre la tyrannie du verbe : spectacles baroques et discours classiques ?
One must deconstruct the strict opposition elaborated by a biased literary historiography between “baroque” and “classical” French drama. While baroque drama would presumably resort to visual effects in order to please the senses, it has been assumed ...
Jean-Claude Vuillemin
doaj +1 more source
Dancing Ambiguity: Nora and the Politics of Cultural Nationalisation in Southern Thailand
ABSTRACT This paper examines Nora, a traditional dance‐drama from southern Thailand, through its designation as UNESCO Intangible Cultural Heritage (2021) and the Thai government's recognition of its performers as National Artists (2018, 2021). It situates these actions within Thailand's cultural nationalisation.
Goeun Kim
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
The Experimental Theater of SESC: Art, Politics, and Resistance in the Heart of the Amazon
This study investigates artistic practices in Manaus, focusing on the Experimental Theater of SESC Theater (TESC), a group active from 1968 to 2016 that stood out for its innovative theatrical project and its ability to navigate different political ...
Leão, Howardinne
core +2 more sources
This article is composed by two different, though articulated, moments. First we intend to discuss some aspects of the difficulties related to literary historiography nowadays, by questioning the concept itself, as well as the difficulties in ...
Alexandre Villibor Flory
doaj +1 more source
Slides presented at our presentation "Historiography-Ideology-Collection. Provenance issues of Historical Theater Material from the 'Zentralinstitut für Theaterwissenschaft' in Vienna 1943-1945" on July, 9 2018 at the International Federation for Theatre Research (IFTR) World Congress in Belgrade, Serbia.
Piech, Janina, Tiefenbacher, Sara
openaire +1 more source
ABSTRACT This paper examines how African migrantised and diasporic communities in Athens contest the city's dominant colonial imaginary through cultural festival practice. We argue that Athens has been constructed as a racialised chronotope: a frozen, whitened tableau anchored in classical antiquity that renders contemporary racialised presences ...
Anna Papoutsi, Antonis Vradis
wiley +1 more source

