Results 181 to 190 of about 41,544 (231)
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Irish Theatre and Historiography
2016Irish theatre history, like Irish theatre, has for many years orbited around two centres: the writer and the Abbey Theatre. To some extent this continues to be both true, and for good reason. At the same time as Irish theatre culture has diversified, so too has scholarly writing about Irish theatre.
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Theatre History and Historiography: A Disciplinary Mandate
Theatre Survey, 2004Historical scholarship, despite the many changes in methodologies and models over the years, is one of the abiding missions of the discipline of theatre studies: yesterday, today, and tomorrow. Yesterday, as is well known, Theaterwissenschaft was the foundational methodology for scholarship and doctoral education.
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Adorno, Baroque, Gardens, Ruzzante: Rearranging Theatre Historiography
2015To think critically about contemporary and past historiographical methodologies used to write theatrical and performance histories, one must think again about the purpose and the possibilities of historiographical praxis. If we are to believe the followers of Leopold von Ranke and E. G.
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Theatre Research in Canada, 1992
Through this position paper the author seeks to provide a focus for extended discussion of some of the key issues arising from feminist approaches to theatre research. She indicates some of the insights made possible by feminist theoretical analyses of theatre historiography as well as some of the implications of the various positions inscribed in ...
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Through this position paper the author seeks to provide a focus for extended discussion of some of the key issues arising from feminist approaches to theatre research. She indicates some of the insights made possible by feminist theoretical analyses of theatre historiography as well as some of the implications of the various positions inscribed in ...
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Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement
Theatre Survey, 1994After a century of carefree source research conducted against the background of positivist objectivism, theatre historiography now finds itself in the throes of a methodological paradigm shift. Quite independent of its historical disciplinary affiliations, whether as an extension of literary criticism of the various national literatures or as a ...
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Theatre History-Telling: New Historiography, Logic and the Other Canadian Tradition
Theatre Research in Canada, 1992A proliferation of sign-posts' dot the landscape of our contemporary discourse: 'postmodernism,' 'poststructuralism,' 'postcolonialism,' 'postindustrial'.... As we wearily anticipate yet another 'post' on the horizon, it becomes clear that what theatre researchers are experiencing is a significant epistemological shift which reflects a changing ...
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Popular Theatre in Iran: Critical Perspectives on The Historiography of Lalehzari Theatre
By the mid-1950s a class of performers occupied the theatres, concert halls, and nightclubs of the Lalehzar entertainment district in Tehran. Many of these performers had abandoned their lives in small villages in faraway provinces. Many had come from poor neighborhoods in Tehran to pursue their dreams for theatre, dance, and music.openaire +2 more sources
Framing Children’s Theatre: Historiography, Material Context, and Cultural Perception
2012Historiography, or the writing of history, has gained significant ground in theatre scholarship over the past few decades, but its impact on children’s theatre, or Theatre for Young Audiences (TYA) as it is now commonly referred to, has been generally ignored.
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Thinking the Space(s) of Historiography: Latina/o Ethnicity Theatre
2015As a theorist trying to do history, I want to engage with what I consider a fundamental problem within the thinking of theatre historiography: an inevitable, even desired, slip into the language of representation. While a critical gesture away from representation as an end point has emerged across a range of qualitative disciplines, for example, in ...
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Ottoman and Turkish Theatre and Performance Historiography: Established Trends, New Approaches
Theatre and Performance Notes and CounternotesAbstract Despite their rich and politically significant theater and performance cultures, the Ottoman Empire and Turkey have not received the scholarly interest they deserve. Motivated by the recent scholarship in the field, this Symposium presents a critical discussion on the trends and emerging approaches in Ottoman and Turkish theater
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