Results 1 to 10 of about 588,835 (218)
Pamiętnik Teatralny, 2022 This article presents the edited volume A History of Polish Theatre (Cambridge University Press, 2022) as a welcome addition to the growing English-language scholarship on Polish theatre.
Daniel W. Pratt
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Language on the Stage – Questions of Identity and Ideology [PDF]
Interlitteraria, 2015 Language used on the stage always bears certain connotations to the identity, ideology and morality of characters, theatre makers and audiences. In my article, I am going to analyse how minority languages have been used or represented in Finnish ...
Anneli Saro
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War and Contemporary Georgian Theatre
Arts, 2023 How is war and its consequences reflected in the theatre? How, in particular, has the Georgian theatre reacted to war, and to what degree does its presence impact Georgian theatre directors and audiences?
Lasha Chkhartishvili
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Museum-Cemetery: (Infra)Structural Violence Against Human Remains
Österreichische Zeitschrift für Geschichtswissenschaften, 2023 In this paper, I investigate Polish memorial sites and museums established at former Nazi extermination camps, defined by the presence of human remains of their Jewish victims, through a conceptual prism of museum-cemetery.
Zuzanna Dziuban
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Displaying Violence in Memorial Museums – Reflections on the Use of Photographs
Österreichische Zeitschrift für Geschichtswissenschaften, 2023 This article examines if and how memorial museums exhibit graphic atrocity photographs, including pictures of executions and decomposing corpses, images taken by perpetrators that humiliate the victims or depict the persecuted in a stereotypical ...
Ljiljana Radonić
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Arts, 2022 Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism.
Joséphine Vandekerckhove
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The Last Flemish Primitive: Jan Vercruysse’s Self-Fashioning of Artisthood and National Identity
Arts, 2022 In 1989, the artist Jan Vercruysse (1948–2018) stated that he was “the last Flemish Primitive”. This comment, despite being only a fragment of a lengthy interview with Carolyn Christov-Bakargiev, became a trope in subsequent writings on Vercruysse.
Anton Pereira Rodriguez
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A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi
Arts, 2023 After his return from Italy in 1608, Peter Paul Rubens received a commission to depict an Adoration of the Magi for the Statenkamer in Antwerp’s Town Hall. It was the first, grand display of his stylistic and iconographic innovations.
Koenraad Jonckheere
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Passé et avenir du théâtre de science-fiction
ReS Futurae, 2021 The article focuses on the past history and future developments of science fiction theatre. It reports that science fiction theatre has existed unofficially since the 19th century and discusses several theatrical plays including R.U.R, Back to Methuselah,
Susan Gray, Christos Callow Jr.
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When the Sky Is Low and Heavy: David Lamelas and Transnational Heritage in Flanders
Arts, 2022 In 1992, artist David Lamelas installed Quand le ciel bas et lourd at the temporary exhibition America: Bride of the Sun—500 Years of Latin-America and the Low Countries at the Royal Museum of Fine Arts Antwerp (KMSKA), a show that explored the cultural,
Elize Mazadiego, Stefaan Vervoort
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