Results 61 to 70 of about 2,034 (179)
Methis: Studia Humaniora Estonica, 2010 Any consideration of Estonian theatre from the point of view of biographical theatre needs to include the work of playwright and director Merle Karusoo.
Piret Kruuspere
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Blankness in post‐post‐postmodern poetry
Orbis Litterarum, EarlyView.Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley +1 more source
La junta luz di Juan Gelman: un oratorio contro il silenzio
Lea, 2014 Juan Gelman is generally considered by critics to be one of the most important poets of modern Argentina. Born in Buenos Aires in 1930 from Russian-Jewish parents, he published his first collection of poems (Violín y otras cuestiones) in 1956.
Arianna Fiore
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Sociological Forum, EarlyView.ABSTRACT Can sociologists feel? Sociological writing can be beautiful, making us think differently about people, processes, and structures. Yet traditional academic writing that does this is rare. For example, most articles adhere to a jargon‐filled format and structure that mimics a detached and disciplined writer.
Victoria Reyes
wiley +1 more source
“The Liminal Father”: A qualitative study exploring men's experiences of paternal imprisonment
Family Relations, Volume 75, Issue 5, Page 3129-3151, December 2026.Abstract Objective This study explored the lived experience of growing up with an imprisoned father, from the adult sons' perspectives. Background Previous research has shown that paternal imprisonment has a significant impact on the emotional well‐being of the sons left behind.
Senan Tuohy‐Hamill +2 more
wiley +1 more source
La memoria alla barocca ne L’isola del giorno prima di Umberto Eco [PDF]
Echo des Etudes Romanes, 2012 In his third novel The Island of the Day Before (L’isola del giorno prima) Umberto Eco narrates a story of an unusual castaway named Roberto who – instead of being on a desert island – finishes up on an abandoned (but only at first sight) ship.
Agnieszka Piwowarska
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Warszawski listopad teatralny 1918: „Z dni przełomu”
Pamiętnik Teatralny, 2018 This article presents events of the exceptionally stormy month in the capital of Poland at the time the country was regaining independence. Warsaw was the arena and focal point of the most significant political events: the return of Józef Piłsudski after
Tomasz Mościcki
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Theatre & Globalization, and: Theatre & Interculturalism, and: Theatre & Prison
, 2023 The review looks at three books in the 'Theatre&' series by Palgrave.
openaire +1 more source
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait
Critical Quarterly, EarlyView.
Matthew Beaumont
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Identidades estigmatizadas y su refiguración performativa en César debe morir
Fotocinema: Revista Científica de Cine y Fotografía, 2016 El filósofo Ian Hacking ha afirmado, siguiendo a Sartre: “Posibilidad, proyecto y prisión son una misma cosa”. En ese trabajo, nos interesa seguir esta pista utilizando como desencadenante del análisis el film César debe morir (Paolo y Vittorio Taviani ...
Moira Pérez, Gilda Bevilacqua
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