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SHAKESPEARE AND THE THEATRE OF THE ABSURD
SHAKESPEARE AND THE THEATRE OF THE ABSURDopenaire +1 more source
Marketing and the theatre of the absurd
Marketing TheoryThe scientific tradition in marketing research has alienated marketing practitioners from academics. As a counterpoint, we argue that theory from the humanities, especially theatre and drama studies, can provide meaningful insights into consumer culture.
Oscar Ahlberg, Jonatan Sodergren
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Borderline Personality and the Theatre of the Absurd
Archives of General Psychiatry, 1967THE PURPOSE of this paper is to illustrate the relationship between the borderline personality and certain contemporary dramatic plays which Esslin 1 has grouped collectively as the theatre of the absurd (Albee, Beckett, Ionesco, Genet, Gelber, etc). We believe that the characteristics of the borderline personality are manifested in the structure and ...
N S, Litowitz, K M, Newman
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Management education and the theatre of the absurd [PDF]
Management Learning, 2019 In this article, we recommend the drama of theatre of the absurd as a novel space for critically reflecting upon management and management education as shaped by the forces of emotion, irrationality and conformism rather than reason. We discuss the theatre of the absurd as uniquely relevant to understanding our troubled times.
Ken Starkey, Silvia Cinque, Sue Tempest
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The Tulane Drama Review, 1960
The plays of Samuel Beckett, Arthur Adamov, and Eugène Ionesco have been performed with astonishing success in France, Germany, Scandinavia, and the English-speaking countries. This reception is all the more puzzling when one considers that the audiences concerned were amused by and applauded these plays fully aware that they could not understand what ...
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The plays of Samuel Beckett, Arthur Adamov, and Eugène Ionesco have been performed with astonishing success in France, Germany, Scandinavia, and the English-speaking countries. This reception is all the more puzzling when one considers that the audiences concerned were amused by and applauded these plays fully aware that they could not understand what ...
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Urban Education, 1970
In our time we have seen the demonic emerge in all its starkness, and we have learned why it emerges: The demonic comes into being for man whenever he is manipulated by large impersonal forces beyond his control; forces that he is actively and uncritically contributing to.
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In our time we have seen the demonic emerge in all its starkness, and we have learned why it emerges: The demonic comes into being for man whenever he is manipulated by large impersonal forces beyond his control; forces that he is actively and uncritically contributing to.
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Rethinking the Theatre of the Absurd
2015Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett ...
Carl Lavery, Clare Finburgh
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