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Borderline Personality and the Theatre of the Absurd

Archives of General Psychiatry, 1967
THE PURPOSE of this paper is to illustrate the relationship between the borderline personality and certain contemporary dramatic plays which Esslin 1 has grouped collectively as the theatre of the absurd (Albee, Beckett, Ionesco, Genet, Gelber, etc). We believe that the characteristics of the borderline personality are manifested in the structure and ...
N S, Litowitz, K M, Newman
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The Theatre of the Absurd

The Tulane Drama Review, 1960
The plays of Samuel Beckett, Arthur Adamov, and Eugène Ionesco have been performed with astonishing success in France, Germany, Scandinavia, and the English-speaking countries. This reception is all the more puzzling when one considers that the audiences concerned were amused by and applauded these plays fully aware that they could not understand what ...
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The Theatre of the Absurd

Urban Education, 1970
In our time we have seen the demonic emerge in all its starkness, and we have learned why it emerges: The demonic comes into being for man whenever he is manipulated by large impersonal forces beyond his control; forces that he is actively and uncritically contributing to.
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Rethinking the Theatre of the Absurd

2015
Rethinking the Theatre of the Absurd is an innovative collection of essays, written by leading scholars in the fields of theatre, performance and eco-criticism, which reconfigures absurdist theatre through the optics of ecology and environment. As well as offering strikingly new interpretations of the work of canonical playwrights such as Beckett ...
Carl Lavery, Clare Finburgh
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Public Law: The Theatre of the Absurd

1964
Edward McWhinney, Lionel D. Feldman
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The Theatre of the Absurd

2002
Theatre is the most social of art forms and, as such, requires a great many conventions so that the theatrical event, on and off the stage, can take place in an orderly fashion. We know from history that festivals in Ancient Greece were highly organized. It was also in Ancient Greece that the theoretical foundations of our western theatre were laid and,
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