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Of Being Educated in Theatrical Arts

Design for Arts in Education, 1991
August Staub, John Ammerman, Cary Parker
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Interim symbols in theatrical art

Quarterly Journal of Speech, 1961
exaly   +2 more sources

On the Theatricality of Art

2014
At first sight, Theodor W. Adorno’s Aesthetic Theory (1970) does not treat the subject of theatre or theatricality in great depth. Quite the contrary: except for his analysis of the two important dramatists Samuel Beckett and Bertolt Brecht, he seldom writes about theatre at all.1 When he does, Adorno mostly ignores the specific features of the ...
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Theatricality in the Art of the Cuban Diaspora:

2019
Art critic and collector Ricardo Pau-Llosa proposes that certain “tropes of identity”—common metaphors inherited from previous generations of modern Cuban artists—continue to shape the work of contemporary Cuban-American artists. Pau-Llosa underlines the trope of theatricality as a form of representing “the poetics of shelter (from time, history ...
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Arts‐based leadership: Theatrical tributes

New Directions for Youth Development, 2006
AbstractAs an independent educator, Eve Nussbaum Soumerai has developed numerous theatrical tributes to inspirational historical figures (Anne Frank, Martin Luther King Jr., and the Dalai Lama, for example). By participating in these productions, young people learn about the lives of these figures and share these stories with large numbers of their ...
Eve Nussbaum Soumerai, Rachel Mazer
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Some Moral Features of Theatrical Art

2023
Abstract This chapter undertakes three main tasks: it shows, where possible, the current state in theater and performance studies as well as philosophy concerning moral worries about theater; it distinguishes between worries due to specific styles of presentation within theater from those due, instead, to the art-form itself; and it ...
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Concepts of Theatricality in Contemporary Art History

Theatre Research International, 1995
Theatre historians often turn to art history, not only for information about source images that can help with the speculative reconstruction of lost performances, but also for lessons in historiographic method. Historians from both disciplines have long shared the difficulties of ‘ekphrasis’, i.e.
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Stanley Kubrick and the art of artificial theatricality

2022
Stanley Kubrick was an American film director, producer and screenwriter whose career spanned thirteen feature length motion pictures from Fear and Desire (1953) to the posthumously released Eyes Wide Shut (1999). Kubrick’s cinematic body of work is one of the most extensively studied, across a number of fields.
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Appendix A: Questionnaire: Puppetry as a theatrical art

Contemporary Theatre Review, 1999
(1999). Appendix A: Questionnaire: Puppetry as a theatrical art. Contemporary Theatre Review: Vol. 10, No. 1, pp. 85-88.
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