Results 71 to 80 of about 6,061,360 (263)
My Fair Lady Entre L’Egyptianisation Théâtrale et l’Adaptation Cinématographique
My Fair Lady Between Theatrical Egyptization and Film Adaptation Adapting stage techniques to cinematic functioning is one of George Cukor's major challenges in his grandiose production of My Fair Lady.
Hanane Hassan El Dibe
doaj
HOW MUSIC ENHANCES THEATRICAL PRODUCTIONS
This article explores the multifaceted ways music significantly enhances theatrical productions. Music serves as a powerful tool for establishing atmosphere, evoking specific emotions, and deepening audience engagement. It subtly guides narrative pacing, underscores character development, and provides crucial subtext that spoken dialogue alone cannot ...
Abdilmannonova, Muxlisa +1 more
openaire +2 more sources
Determinants of Community Resilience: A Multi‐Level Synthesis of Empirical and Conceptual Evidence
ABSTRACT Community resilience research remains fragmented across disciplines, with limited integration of empirical evidence and conceptual scholarship. This study addresses this gap through a directed content analysis of 48 empirical case studies and 39 conceptual and review publications from diverse geographical and hazard contexts.
Anamol Neupane +2 more
wiley +1 more source
Playing with Politics. Self-Contextualisation of Theatrical Events
The starting point of this paper are two results of the Theatrical Event working group meeting held in Amsterdam 29 March until 1 April 2017: Peter Peasey suggested to differentiate between context as a reference system and contextualising as a process ...
Schappach, Beate
core +1 more source
Framing novelty in crowdfunding: Which words win support, where, and at what stakes
Abstract Research Summary We examine how promotional language (“hype”) in reward‐based crowdfunding is associated with campaign success, and whether those associations vary across sector contexts and with campaign execution burden. Using dictionary‐based text measures from 635 U.S. Kickstarter campaigns across five sectors, we distinguish three novelty‐
Agnieszka Kwapisz
wiley +1 more source
This article engages in a close rereading of Stigma, relating it to Goffman's biography as a person who faced stigma. Exploring his biography helps us to recognize the ways Goffman applies stigma strategies in how he represents himself as the author in Stigma.
Thaddeus Müller
wiley +1 more source
This paper analyzes the artistic route and the creative process of five presentations of Ilka Schönbein –Theater Meschugge: The Old One and the Beast – to my father; The Silence of the Goats; Metamorphosen; Winter Journey; and My Own Flesh and Blood. The
Ilka Schönbein
doaj
Symbolism in the theater of Elena Garro [PDF]
The present study aims to examine the special symbolic world of the Mexican playwright Elena Garro (1917- 1998) linked to some essential feminist topics that featured in her extensive theatrical production.
Christina Joseph
doaj +1 more source
What happens when stories refuse coherence? This article examines ambiguous loss among mothers of combat soldiers, focusing on how prolonged waiting and uncertainty infiltrate everyday life, eroding sensemaking. Drawing on ethnographic interviews, it explores how mothers experience the contraction of time and space—manifested in suspended routines ...
Shirly Bar‐Lev +2 more
wiley +1 more source
Place is an active and essential element in the construction and production of dramatic action because of its connection to the event. It is the place that contains the event and the action, and thus it has a psychological and semantic impact on thought ...
Lina Ismail Khalil +1 more
doaj +1 more source

