THE DOGS IN THREE THEBAN PRIVATE TOMBS [PDF]
Journal of the General Union of Arab Archaeologists, 2017 (En) In ancient Egypt, it was known that dogs were considered as ones of several Canidae. Since predynastic period, dogs were the earliest animals to be known and pictured.
Magda Abdalla
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Scenes Of Tomb Owner’s Offerings to Ancestors in The New Kingdom Private Theban Tombs [PDF]
International Journal of Tourism and Hospitality Management, 2021 The New Kingdom private tombs in Thebes contain some scenes that represent the tomb owner presenting offerings to parents, brothers, grandparents, viziers, workers, and other relatives.
Abd El-Azeem Soliman +2 more
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THE FAMILY OF AHMOSE, THE OWNER OF THEBAN TOMB 224 [NEW DATA] [PDF]
Journal of the General Union of Arab Archaeologists, 2023 عائلة إعح-مس ،صاحب المقبرة الطيبية 224 [AR] طالما بنيت الحضارة الإنسانية على أساس الأسرة- فقد تكونت الأسرة النواة من الزوج والزوجة والأطفال. أما
Nelli Boraei
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Perspectives on Agency in New Kingdom Theban Tombs
ArtsFar from being merely repetitive, the painted decoration in Theban tombs of the New Kingdom reveals a rich variety of individual artistic choices, and therefore offers a privileged point of view for the study of agency in ancient Egypt.
Marina Sartori
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Keftiu in Context: Theban Tomb-paintings as a historical Source [PDF]
Oxford Journal of Archaeology, 2001 It is generally asserted that the representations of Aegeans in Theban private tombs cannot be regarded as a reliable historical source, since the gift‐bearers of this independent region were depicted by Egyptian artists as tributaries. The present paper is an attempt to test the validity of this orthodoxy from the Egyptological perspective.
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Royal Ideology and Elite Integration in Theban Tombs as Precursors to the Amarna Period
ArtsThis paper will examine how tomb chapel imagery changed to depict a state of being that marked a theological and cultural shift during the reigns of Thutmose IV and Amenhotep III. The iconography of the royal kiosk scene reflects the growing influence of
Melinda K. Hartwig
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The incense distribution scene from TT 39 – redistribution of economic goods to Deir el-Bahari and other locations in Western Thebes [PDF]
Polish Archaeology in the Mediterranean, 2021 Incense was an essential part of temple rituals during the New Kingdom. A relief scene of redistribution of this economic good, carved in the hall of the Theban tomb of Puimra (TT 39), a Second Priest of Amun in the early Eighteenth Dynasty, helps to ...
Jesus Trello Espada
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Dorothy Mackay: A Forgotten Female Pioneer in Archaeology [PDF]
Muzeológia a Kultúrne Dedičstvo, 2023 In 2022, the author of this paper came across four letters regarding epigraphic documentation of some elite tombs in the Theban necropolis, Egypt, written by Dorothy Mackay and addressed to Alan H.
Kaczanowicz, Marta
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Dancing for the Dead: muu Dancers in Egyptian New Kingdom Scenes
Eikón Imago, 2022 Muu dancers are one of the most common elements in the funerary processions represented in the private Theban tombs of the New Kingdom, especially in the 18th dynasty.
Miriam Bueno Guardia
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The myth of the War of the Seven and Pausanias’ educational topography [PDF]
Hypothekai, 2020 The article examines the monuments of Thebes mentioned by Pausanias and related to the story of Seven against Thebes. It is claimed that these monuments were a part of the local educational practice, which reflected the Theban mythical history and ...
Andrej Mozhajsky
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