Results 101 to 110 of about 56,495 (224)
Witnessing: testimony of linguistic memory : the case of Victor Klemperer [PDF]
In view of the tremendous success of Victor Klemperer's diaries testimoning his personal experience as a Jew in Nazi Germany, this article discusses the specific contribution of witness literature to the knowledge of history. During the Holocaust period,
Seeba, Hinrich C.
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Música y medios de comunicación: en torno a Glenn Gould (1932-1982) [PDF]
Glenn Gould (Toronto,1932-82) fue una de las figuras artísticas más importantes de Canadá en el siglo XX. A 25 años de su muerte se conmemora no sólo a un gran virtuoso del piano; también a un actor social relevante, que contribuyó a la redefinición de ...
Dufour, Michèle
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‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice
The article discusses the author's insights on the implications of the musical score of the motion picture "Bride of Frankenstein," by Max Steiner and Erich Wolfgang Korngold in the U.S. in the 1930s. He believes that the musical score critiques the Nazi
Winters, Ben
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Amitav Ghosh and the Aesthetic Turn in Postcolonial Studies [PDF]
This essay explores the aesthetic turn in postcolonial studies in light of the literary works of Indo-Burmese author Amitav Ghosh. While a renewed interest in aesthetic theories is apparent throughout the humanities in the past decade, it is ...
Su, John
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Obituary for Michael Wertheimer (1927 - 2022)
Sarris Viktor, Stock Armin
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Reseña de MAISO, J. (2022): Desde la vida dañada. La teoría crítica de Theodor W. Adorno, Tres Cantos (Madrid): Akal.
Juan Alberto Sucasas Peón
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Eu busco neste artigo mostrar alguns aspectos relativos a diferentes pesquisas e reflexões que empreendi em anos recentes sobre o conceito de indústria cultural. A questão central é o pensamento de Theodor W.
Camargo, Sílvio César
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Música, gesto y espacio en Th. W. Adorno
Presentamos algunas ideas centrales de la filosofía de la música de Theodor W. Adorno en relación con el aspecto corporal de la música: las relativas al espacio, al gesto y al ritmo.
Anne BOISSIÈRE
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