Results 231 to 240 of about 671,106 (305)
Unlocking the mechanics of valgus-impacted proximal humeral fractures: A 3D analysis of rotational deformities and tuberosity displacement. [PDF]
Gallant A +4 more
europepmc +1 more source
Abstract Introduction The flat oyster Ostrea angasi previously formed extensive reefs throughout temperate regions of Australia. These reefs were overharvested and destroyed after European colonization and have been functionally extinct for >150 years. While large‐scale subtidal O.
Kathy Overton +5 more
wiley +1 more source
Tissue inhibitor of metalloproteinase-2 predicts early allograft dysfunction after liver transplantation. [PDF]
von Horn C, Zlatev H, Malkus L, Minor T.
europepmc +1 more source
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Patient-Reported Outcomes From Males Regarding Germline Testing for Prostate Cancer: Results From the PROGRESS Registry. [PDF]
Loeb S +23 more
europepmc +1 more source
‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London
ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
wiley +1 more source
Downregulation of dual-specificity phosphatase 1 (DUSP1) in post-mortem brain white matter in progressive multiple sclerosis. [PDF]
Oró-Nolla M +9 more
europepmc +1 more source
Obesity and the Politics of Taddeo di Bartolo's Inferno
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley +1 more source

