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The effects of timbre on absolute pitch judgment
, 2020This article reports the high prevalence of Absolute Pitch (AP) among students at Shanghai Conservatory of Music and explores the effects of timbre on AP judgment through a large-scale direct-test study. This study used two types of timbres (piano timbre
Xiaonuo Li
semanticscholar +1 more source
1998
Abstract Re-read section 2.4 to remind yourself of the meaning of ‘timbre’ or ‘tone-colour’, and its applications, ranging from the wholly obvious qualities which differentiate a string quartet from a brass band, the subtler difference between, say, the lowest and highest strings of a violin and, most subtle of all, the varieties of ...
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Abstract Re-read section 2.4 to remind yourself of the meaning of ‘timbre’ or ‘tone-colour’, and its applications, ranging from the wholly obvious qualities which differentiate a string quartet from a brass band, the subtler difference between, say, the lowest and highest strings of a violin and, most subtle of all, the varieties of ...
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2023
Abstract This chapter addresses the concept of timbre in reference to “Anthropogenic Debris,” the first movement of Liza Lim’s Extinction Events and Dawn Chorus (2018). It develops an enactive approach to timbre, demonstrating the reality of timbre as lived sonic experience.
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Abstract This chapter addresses the concept of timbre in reference to “Anthropogenic Debris,” the first movement of Liza Lim’s Extinction Events and Dawn Chorus (2018). It develops an enactive approach to timbre, demonstrating the reality of timbre as lived sonic experience.
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2018
Timbre, the distinctive quality of a particular sound, has become an increasingly critical analytical focus in recent music theory. Yet the sublinguistic nature of timbral cognition and the parameter’s inherent multidimensionality pose significant challenges to description and representation.
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Timbre, the distinctive quality of a particular sound, has become an increasingly critical analytical focus in recent music theory. Yet the sublinguistic nature of timbral cognition and the parameter’s inherent multidimensionality pose significant challenges to description and representation.
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The Journal of the Acoustical Society of America, 2008
An electroencephalographic study dealing with timbre perception has been performed. Timbre is next to tone and chroma is the basic element of sound and is perceived as a multidimensional space in which perceptual coordinates correlate with acoustic parameters.
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An electroencephalographic study dealing with timbre perception has been performed. Timbre is next to tone and chroma is the basic element of sound and is perceived as a multidimensional space in which perceptual coordinates correlate with acoustic parameters.
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Timbre as Harmony—Harmony as Timbre
2019Abstract While timbre is typically understood as a property of a single musical note or event, many contemporary musical practices depend on the combination of multiple events—each with their own pitch, dynamic, and sound color—into unified composites with their own emergent timbres.
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2018
Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
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Abstract The notion of the “ethereal” has a long and surprisingly continuous history in Western art music. From the Aeolian harp to early electronic music, listeners have identified certain instruments as producing otherworldly and supernatural sounds.
Emily I. Dolan, Thomas Patteson
openaire +1 more source