Results 21 to 30 of about 596,107 (267)

A trio of biological rhythms and their relevance in rhythmic mechanical stimulation of cell cultures

open access: yesFrontiers in Psychology, 2022
The primary aim of this article is to provide a biological rhythm model based on previous theoretical and experimental findings to promote more comprehensive studies of rhythmic mechanical stimulation of cell cultures, which relates to tissue engineering
Dongho Kwak   +4 more
doaj   +1 more source

A Post-2011 Time Motion Study [PDF]

open access: yesJournal of General Internal Medicine, 2013
To the Editors:—The article by Dr. Block and colleagues gave us insight into how internal medicine residents spend their time in the era of duty hour restrictions. They revealed that interns spend only 12 % of their time in direct patient care, while computer use occupied 40 % of their time.1 However, with the availability of mobile technologies (i.e ...
Wei Wei, Lee   +2 more
openaire   +2 more sources

No Evidence for an Auditory Attentional Blink for Voices Regardless of Musical Expertise

open access: yesFrontiers in Psychology, 2020
Background: Attending to goal-relevant information can leave us metaphorically “blind” or “deaf” to the next relevant information while searching among distracters. This temporal cost lasting for about a half a second on the human selective attention has
Merve Akça   +5 more
doaj   +1 more source

Best versus Good Enough Practices for Open Music Research

open access: yesEmpirical Musicology Review, 2021
Music researchers work with increasingly large and complex data sets. There are few established data handling practices in the field and several conceptual, technological, and practical challenges. Furthermore, many music researchers are not equipped for
Alexander Refsum Jensenius
doaj   +1 more source

Analyzing Free-Hand Sound-Tracings of Melodic Phrases

open access: yesApplied Sciences, 2018
In this paper, we report on a free-hand motion capture study in which 32 participants ‘traced’ 16 melodic vocal phrases with their hands in the air in two experimental conditions. Melodic contours are often thought of as correlated with vertical movement
Tejaswinee Kelkar   +1 more
doaj   +1 more source

Thinking rhythm objects

open access: yesFrontiers in Psychology, 2022
The focus of this mini-review is on rhythm objects, defined as strongly coherent chunks of combined sound and body motion in music, typically in the duration range of a few seconds, as may for instance be found in a fragment of dance music, in an ...
Rolf Inge Godøy, Rolf Inge Godøy
doaj   +1 more source

Constraint-Based Sound-Motion Objects in Music Performance

open access: yesFrontiers in Psychology, 2021
The aim of this paper is to present principles of constraint-based sound-motion objects in music performance. Sound-motion objects are multimodal fragments of combined sound and sound-producing body motion, usually in the duration range of just a few ...
Rolf Inge Godøy, Rolf Inge Godøy
doaj   +1 more source

Sound-producing actions in guitar performance of groove-based microrhythm

open access: yesEmpirical Musicology Review
This paper reports on an experiment that investigated how guitarists signal the intended timing of a rhythmic event in a groove-based context via three different features related to sound-producing motions of impulsive chord strokes (striking velocity ...
Guilherme Schmidt Câmara   +4 more
doaj   +1 more source

Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning

open access: yesFrontiers in Artificial Intelligence, 2020
Machine-learning models of music often exist outside the worlds of musical performance practice and abstracted from the physical gestures of musicians. In this work, we consider how a recurrent neural network (RNN) model of simple music gestures may be ...
Charles Patrick Martin   +7 more
doaj   +1 more source

Perceiving Sound Objects in the Musique Concrète

open access: yesFrontiers in Psychology, 2021
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments.
Rolf Inge Godøy, Rolf Inge Godøy
doaj   +1 more source

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