Results 31 to 40 of about 127 (107)

Review of the Tarkhanids Ups and Downs in the Timurid Era [PDF]

open access: yesپژوهش های تاریخی, 2017
The term "Tarkhan" is one of the words that is repeated in the sources of Iranian middle history. In the early Islamic centuries, this term was a kind of privilege for a particular group. During the Timurid era, two titles of the Tarakhanids and Tarkhani
Fatemeh Rostami
doaj   +1 more source

Inner Asian Agropastoralism Within the Mongol Empire: Multi‐Proxy Investigations at Sel'Ungur Cave, Kyrgyzstan

open access: yesGeoarchaeology, Volume 40, Issue 6, November/December 2025.
ABSTRACT Agropastoralism has been a widespread subsistence strategy in Central Asia from prehistory to the present. While significant research has aimed at understanding past agropastoral communities in the region, reconstructing a generalized economic model remains challenging due to the complex topographic and ecological conditions, as well as its ...
G. Brancaleoni   +13 more
wiley   +1 more source

A “Documentary Turn” in the Medieval History of Egypt and Syria?

open access: yesHistory Compass, Volume 23, Issue 10-12, October-December 2025.
ABSTRACT The field of medieval Middle East history has seen a renewed attention to the use of documentary sources in recent years. These sources have long seen some neglect, and their interpretation has suffered from a stubborn narrative of paucity that has tended to relegate them to the fringe of this history. With the impact of other scholarly trends
Daisy Livingston
wiley   +1 more source

A comparative comparison of women position in the music assemblies of the Timurid and Safavid periods based on the surviving Painting [PDF]

open access: yesزن در فرهنگ و هنر, 2020
During the reign of the Timurids, the art of painting reached such a level of development and evaluation that it became a model for all future schools of painting in Iran.
Habib Shahbazi Shiran   +3 more
doaj   +1 more source

FROM ETERNITY TO APOCALYPSE: TIME, NEWS, AND HISTORY BETWEEN THE MUGHAL AND BRITISH EMPIRES, 1556–1785

open access: yesHistory and Theory, Volume 64, Issue 2, Page 201-228, June 2025.
ABSTRACT The eighteenth‐century origins of colonial orientalism in India spurred not just the translation of Indian texts but the production of interstitial histories, works that were forged in the intellectual culture of the Mughal Empire and created by individuals who explicitly sought to inform and influence their new colonial patrons.
Abhishek Kaicker
wiley   +1 more source

Tuzūkāt-i Tīmūrī as a Source on Chagatai Military Tactics, Late Fourteenth to Early Fifteenth Centuries

open access: yesOriental Studies
Introduction. The article examines some historical and other related circumstances behind the creation of Tuzūkāt-i Tīmūrī (The Code of [Amir] Timur). Goals.
Leonid A. Bobrov   +3 more
doaj   +1 more source

A Translator's Face: Persianate Selfhood and Portraiture, 1760–1800

open access: yesJournal for Eighteenth-Century Studies, Volume 47, Issue 4, Page 425-453, December 2024.
Abstract Within the framework of Persianate self‐hood, this article explores the intersection between translation, Indian dress, and portraiture in India and Britain, 1760–1800. It examines the translator's lived experience and cultural output as a published scholar and Persian secretary in the East India Company.
Beth Richards
wiley   +1 more source

Iranian classical dance as a subject for empirical research: An elusive genre

open access: yesAnnals of the New York Academy of Sciences, Volume 1533, Issue 1, Page 51-72, March 2024.
Iranian classical dance is a rich resource for academic research, both for humanities scholarship and for the empirical disciplines (e.g., empirical aesthetics, experimental psychology, affective neuroscience). To support such research, this paper (a) describes the aesthetics, characteristics, and history of Iranian classical dance; (b) outlines issues
Julia F. Christensen   +2 more
wiley   +1 more source

Islam et paysage au xvie siècle

open access: yesProjets de Paysage, 2009
Islamic culture is supposed to ignore landscape and to confine nature and territory esthetics in walled gardens and miniature paintings. The memories of first mughal emperor Babur express landscape and nature admiration, and tell about gardens and ...
Michèle Constans
doaj   +1 more source

Manifestation of Timurid Architectural Decorations in Paintings of the Baysonghori Shahnameh [PDF]

open access: yesنگره, 2019
The skillful drawing of architectural spaces and displaying details of building decorations are among the most distinguished features of Iranian painting, especially in the late Islamic periods.
maryam salehikia, Mitra shateri
doaj   +1 more source

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