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"Loco Tlatelolco:" The Conflicting Past of this Historic Neighborhood, 1960–1964

The Latin Americanist, 2021
:This essay is an investigation into the Tlatelolco Housing Project and the complexity of Mexican modernity. The completion of the project in 1964 was meant to represent the culmination of modernity.
Sarah Beckhart Coppinger
semanticscholar   +1 more source

Performing Tlatelolco and the Past That Never Dies: Auxilio: Au secours and El pasado nunca se muere, ni siquiera es pasado

TDR: The Drama Review, 2020
The 50th commemoration of the 2 October 1968 massacre of students and bystanders in the Plaza de Tlatelolco included performances that forced spectators to confront the nagging legacy of 1968 and to think collectively about what a future Mexico could ...
Jacqueline E. Bixler
semanticscholar   +1 more source

The Right to Tlatelolco: Space, State and Home in Rojo amanecer (1989), Directed by Jorge Fons

, 2020
This article addresses the issue of spatiality in the Mexican film Rojo amanecer (Jorge Fons, 1989), which dramatizes the events surrounding the massacre of student demonstrators in the plaza de Tlatelolco, Mexico City, on 2nd October 1968. The film has
I. Kenny
semanticscholar   +1 more source

‘Y el olor de la sangre manchaba el aire’: Tlatelolco 1521 and 1968 in José Emilio Pacheco’s ‘Lectura de los “Cantares Mexicanos”’

, 2018
When Octavio Paz compared the Tlatelolco 1968 massacre to the conquest of the Aztec empire, he has created a foundation (indeed, at times, inspiration) for the view of the massacre as a symbol of a long-lasting internal conflict.
Victoria Carpenter
semanticscholar   +1 more source

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