Results 261 to 270 of about 40,435 (311)
Some of the next articles are maybe not open access.
1999
AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
exaly +2 more sources
AbstractGives an account of tonality, and why tonality is central to our musical tradition Shows that the attempt to replace tonality with atonal or serial forms of musical order threatens the foundations of musical perception, and explores the various ways in which music can depart from tonality while still maintaining its character as an object of ...
exaly +2 more sources
Annals of the New York Academy of Sciences, 2001
Abstract: This article presents a self‐organizing map (SOM) neural network model of tonality based on experimentally quantified tonal hierarchies. A toroidal representation of key distances is recovered in which keys are located near their neighbors on the circle of fifths, and both parallel and relative major/minor key pairs are proximal.
C L, Krumhansl, P, Toiviainen
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Abstract: This article presents a self‐organizing map (SOM) neural network model of tonality based on experimentally quantified tonal hierarchies. A toroidal representation of key distances is recovered in which keys are located near their neighbors on the circle of fifths, and both parallel and relative major/minor key pairs are proximal.
C L, Krumhansl, P, Toiviainen
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British Journal of Audiology, 1984
The loudness of a continuous pure tone does not appear to change with time unless an interrupted tone is introduced at intervals during the course of the test; in consequence it is held that it is the interrupted tone which induces the loudness loss.
H, Barratt, J D, Hood
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The loudness of a continuous pure tone does not appear to change with time unless an interrupted tone is introduced at intervals during the course of the test; in consequence it is held that it is the interrupted tone which induces the loudness loss.
H, Barratt, J D, Hood
openaire +2 more sources
2012
This article focuses on the combinatory nature of Western music. What type of organization in the tonal pitch structure allows the production of so many different styles, and so many different pieces inside each style? In order to address this issue, the article starts start by considering the theoretical distinction between ‘tonal’ and ‘event ...
Bigand, Emmanuel +1 more
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This article focuses on the combinatory nature of Western music. What type of organization in the tonal pitch structure allows the production of so many different styles, and so many different pieces inside each style? In order to address this issue, the article starts start by considering the theoretical distinction between ‘tonal’ and ‘event ...
Bigand, Emmanuel +1 more
openaire +3 more sources
Tonal and non-tonal intonation in Yichang dialect
2016 International Conference on Asian Language Processing (IALP), 2016The study of intonation in a tonal language presents a challenge. The challenge is to see how a language succeeds in encoding the functions which is shown by means of intonation in non-tonal languages. This paper demonstrates most of the intonational marking in tonal language in Yichang.
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Studia Linguistica, 2005
Abstract. This paper discusses central aspects of the effects of hierarchical structure on tonal scaling in intonation. The core results of a number of phonetic studies on this topic, by Ladd, by van den Berg, Gussenhoven and Rietveld, as well as experimental results of our own, are reviewed.
Féry, Caroline (Prof. Dr.) +1 more
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Abstract. This paper discusses central aspects of the effects of hierarchical structure on tonal scaling in intonation. The core results of a number of phonetic studies on this topic, by Ladd, by van den Berg, Gussenhoven and Rietveld, as well as experimental results of our own, are reviewed.
Féry, Caroline (Prof. Dr.) +1 more
openaire +2 more sources
2023
Abstract This encyclopedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad ...
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Abstract This encyclopedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad ...
openaire +1 more source
Segmental intonation in tonal and non-tonal languages
The Journal of the Acoustical Society of America, 2017The nature of edge intonational contours as well as acoustics of fricatives have generally been independently discussed in the literature (Hughes & Halle 1956; Ladd 1996; Gussenhoven 2004 inter alia). Voiceless consonants were traditionally conceived as irrelevant to the study of utterance-level intonation and thought merely to interrupt pitch ...
Maida Percival, Kaz Bamba
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2000
Abstract THE development of a harmonic rather than a melodic theory of structuring music was rather different in England than it was on the Continent. Whereas many European theorists sought to explain major and minor keys through the modes, in England the two concepts were treated almost entirely separately.
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Abstract THE development of a harmonic rather than a melodic theory of structuring music was rather different in England than it was on the Continent. Whereas many European theorists sought to explain major and minor keys through the modes, in England the two concepts were treated almost entirely separately.
openaire +1 more source
Reconstruction of tonal sequences
ICASSP '85. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005A study of the reconstruction of single tone sequences from a musical instrument, a piano here, is described. The nature of piano tones is examined and a means of digital data capture and reconstruction is described. It is suggested that a reconstruction method such as described could form the basis of a type of recorded music.
I. L. Veach, J. J. Narraway
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