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Tonal Evolution and Tonal Reconstruction in Chinese
1996Modern Chinese is a tone language. Traditionally, tonality has also been considered to be a characteristic of Archaic Chinese, a view that has been challenged recently by some scholars. If indeed there were no tones in Archaic Chinese, the origin and evolution of modern tones would present a problem deserving further investigation.
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Organized Time: Rhythm, Tonality, and Form by Jason Yust (review)
Notes, 2020Kelvin H. F. Lee
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2018
This chapter lays out a series of conventions toward pitch design that both constrain musical meaning making in film and enable its unique effects. The chapter begins by examining the idiom of late Romanticism in European art music and the ways in which film music conforms to and differs from that model.
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This chapter lays out a series of conventions toward pitch design that both constrain musical meaning making in film and enable its unique effects. The chapter begins by examining the idiom of late Romanticism in European art music and the ways in which film music conforms to and differs from that model.
openaire +1 more source