Results 261 to 270 of about 395,145 (308)
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1999
Abstract An account of the primary elements of the musical experience, arguing that rhythm, accent, melody, harmony, and movement are all features of the intentional object of musical perception (‘tone’) but not features of the material object (‘sound’) in which that intentional object is heard.
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Abstract An account of the primary elements of the musical experience, arguing that rhythm, accent, melody, harmony, and movement are all features of the intentional object of musical perception (‘tone’) but not features of the material object (‘sound’) in which that intentional object is heard.
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2016
When the phonological form of a morpheme—a unit of meaning that cannot be decomposed further into smaller units of meaning—involves a particular melodic pattern as part of its sound shape, this morpheme is specified for tone. In view of this definition, phrase- and utterance-level melodies—also known as intonation—are not to be interpreted as instances
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When the phonological form of a morpheme—a unit of meaning that cannot be decomposed further into smaller units of meaning—involves a particular melodic pattern as part of its sound shape, this morpheme is specified for tone. In view of this definition, phrase- and utterance-level melodies—also known as intonation—are not to be interpreted as instances
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GABA tone regulation and its cognitive functions in the brain
Nature Reviews Neuroscience, 2023Wuhyun Koh, , Eunji Cheong
exaly
Geminate labels programmed by two-tone microdroplets combining structural and fluorescent color
Nature Communications, 2021Lang Qin, Ming Xu, Fuyou Li
exaly