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« Un auteur du Tout-monde »

Africultures, 2003
José Pliya, Sylvie Chalaye
openaire   +2 more sources

Tout-monde, chaos-monde, the DOM, and Caribbean Dance: Inscribing Community Identity in Gerty Dambury’s Les rétifs

l'esprit créateur, 2021
:This article aims to read Guadeloupe’s labor uprising of May 1967 and its brutal suppression by metropolitan police forces by juxtaposing the rubrics of Glissant’s Relation, Tout-Monde, and chaos-monde with Gerty Dambury’s re-presentation of the event ...
H. Murdoch
semanticscholar   +1 more source

Beyond the headless Empress: Gabriel Vital Dubray’s statues of Josephine, Edouard Glissant’s Tout-monde, and contested monuments of French empire

Nineteenth-Century Contexts, 2019
During the night of 21 September 1991, a white marble statue of Empress Josephine was beheaded in La Savane, a park abutting the bay in Fort-de-France, Martinique (Figure 1). The sculpture has stood in the park since 1859.
Kylie Sago
semanticscholar   +1 more source

Le capital déteste tout le monde

, 2020
Que peuvent esperer aujourd’hui les ecologistes face au neoliberalisme ? Si l’ouvrage de Maurizio Lazzaratto1 ne repond pas ouvertement a la question, apres sa lecture, on imagine mal que le capitalisme se laisse convaincre de la legitimite des combats ...
P. Dieuaide, Emmanuel Dessendier
semanticscholar   +1 more source

Édouard Glissant’s Relation and Chaos-Monde in the Era of Covid

Contemporary French and Francophone Studies, 2022
Édouard Glissant’s death precedes the Covid crisis by about a decade. Nevertheless, his description of global communities as highly interconnected and chaotic is eerily prescient in its portrayal of a world highly susceptible to a pandemic, and the ...
R. Curto
semanticscholar   +1 more source

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