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On a traditional Karanga song

African Music: Journal of the African Music Society, 1964
When collecting traditional music among the Karanga tribes of Southern Rhodesia in 1961 /62,I recorded three versions of the song: Vana vapfumo jena. In 1964 I worked on a preliminary survey of the collected material under the guidance of Dr. Wachsman at Ucla, and I found that this specific piece was recorded by H.
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Some reflections on song theory, signed song and traditional song

International Review of Sociology, 2009
In this article I will aim to present results of research which deals with the French word ‘chanson’ and song theory. My observations will be conducted within a metalinguistic and a linguistic corpora. My corpora was largely constituted by works published in France in addition to other countries in Europe.
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The traditional songs of the Finnish Romany: Silent tradition

Romani Studies, 2008
Romany music is a rather new topic of ethnomusical research in Finland despite the fact that the Romanies came to Finland in the early sixteenth century and music plays an especially important role in Roma society. Music is an important tool for social interaction as status.
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Women reading the Song of Songs in the Christian tradition

2009
Abstract This chapter explores a neglected topic in the history of Christian reception of the Song of Songs — its interpretation for and by women. The reason for this lack of attention is not hard to find. Although women began to make major contributions to theology, especially mystical theology, from the 13th century on, even educated ...
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Irish song and the idea of tradition

2021
Abstract Defining ‘tradition’ as something passed on within a community that provides a matrix for its understanding of past events and present choices, this essay discusses the evolution of Irish poetry and song since 1200. It explores the connections between vernacular poetry and various learned (literary) traditions, including ...
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The Song of Songs and Its Tradition in Renaissance Love Lyric

This book offers the first systematic and wide-ranging investigation of the multifaceted use of the Song of Songs—one of the most fascinating and controversial biblical books—in Renaissance love lyric poetry, with specific attention to Italian, French, and, especially, English poetic production. At the same time, this investigation is embedded within a
null 9780192665041, Camilla Caporicci
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