Results 161 to 170 of about 3,168,134 (332)
Observations on the transcendental Equation 2 2 2 3 2 2 2 2
M. A. Gopalan
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On a transcendental equation involving quotients of Gamma functions
S. Luo, Juncheng Wei, W. Zou
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A Modest Conception of Moral Right & Wrong
ABSTRACT Taking inspiration from Hume, I advance a conception of the part of morality concerned with right and wrong, rooted in the actual moral rules established and followed within our society. Elsewhere, I have argued this approach provides a way of thinking about how we are genuinely “bound in a moral way” to keep our moral obligations that it is ...
Jorah Dannenberg
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TRANSCENDENTAL MEROMORPHIC SOLUTIONS OF A TYPE OF q-DIFFERENCE COMPOSITE FUNCTIONAL EQUATIONS
Shuxin Han +3 more
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Aspect perception and rule‐following in Wittgenstein's Philosophical Investigations
Abstract This paper aims to highlight a distinctive, projective, mode of aspect perception within Wittgenstein's philosophy that has gone underappreciated in the scholarly literature. Although it bears a family resemblance to other instances of the phenomenon Wittgenstein describes as ‘noticing an aspect’ in PI Part II §113, it is distinctive in that ...
James Connelly
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Zagadnienia termosprężystości w obszarach ograniczonych powierzchniami kulistymi i stożkowymi
One of the subject matters of the present paper is a method of homogeneous solutions of boundary-value problems of heat conduction, stress and displacement for a certain class of elastic and conical surfaces.
Z.F. Baczyński
doaj
Abstract Kantian ethics is traditionally seen as grounded in unchanging, universally binding, and a priori knowable principles. I argue that this picture is incomplete: Kant grounds his ethics not only in categorical moral principles, but also in regulative moral ideas of reason.
Sabina Vaccarino Bremner
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An Elementary Treatise on Curve Tracing. On the Transcendental Curve whose Equation is—Sin Y sin my = a sin x sin nx + b [PDF]
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From Everyman to Hamlet: A Distant Reading
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
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