Results 191 to 200 of about 10,639,732 (342)

From Moral Supervenience to Moral Contingentism (In One Easy Step!)

open access: yesAnalytic Philosophy, EarlyView.
ABSTRACT According to the Divide & Conquer (DC) strategy (Fogal and Risberg 2020) for explaining moral supervenience, the modal covariation between moral and natural properties can be partly explained by appeal to pure moral principles. Bhogal (2022) has recently argued that DC fails.
Alexios Stamatiadis‐Bréhier
wiley   +1 more source

The rational-transcendental dichotomy of Mahler functions [PDF]

open access: green, 2012
Jason P. Bell   +2 more
openalex   +1 more source

On the Practical Necessity of the Categories

open access: yesPhilosophy and Phenomenological Research, EarlyView.
ABSTRACT Kant tells us that we cannot know whether all finite rational beings must share the same forms of sensibility. Can we know whether all finite rational beings must share the same forms of understanding? Recent discussion of this issue has focused on whether Kant thinks this can be decided from the theoretical point of view.
Anil Gomes, Andrew Stephenson
wiley   +1 more source

The fettered and the flea: a new poem by Edmund Waller☆

open access: yesRenaissance Studies, EarlyView.
Abstract This contribution explores for the first time a 22‐line poem in a British Library manuscript, ‘To a young lady that kept a flea chay'nd in a box’, which can be convincingly ascribed to Edmund Waller. Its most famous relative is Donne's ‘The Flea’, but its ancestry differs.
Stuart Gillespie
wiley   +1 more source

From Everyman to Hamlet: A Distant Reading

open access: yesRenaissance Studies, EarlyView.
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley   +1 more source

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