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The Journal of Commonwealth Literature, 2007
The Dark Room has a spectrum of characters urban and rural, working-class and professional, Tamil and English speakers. In the first part of this paper, I analyse key passages in the book, and in its translation, Iruttu Arai, to examine the strategies Narayan invents to distinguish the speech styles of his characters.
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The Dark Room has a spectrum of characters urban and rural, working-class and professional, Tamil and English speakers. In the first part of this paper, I analyse key passages in the book, and in its translation, Iruttu Arai, to examine the strategies Narayan invents to distinguish the speech styles of his characters.
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Translation–rotation–translation interconversions
Nature Nanotechnology, 2018RNA polymerase-based nanomotors can not only rotate a supramolecular wheel, but can also walk along a predefined linear track — autonomously and unidirectionally.
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2010
This chapter gives an educational overview of:
Martin-Sanchez F., Hermosilla-Gimeno I.
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This chapter gives an educational overview of:
Martin-Sanchez F., Hermosilla-Gimeno I.
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2017
This chapter sketches the outlines of the prevailing, but conceptually trivial, sense of translation we might be tempted to press into service as a political concept. It describes a different sense of translation, with different futures as a political concept, that flows from the rise of so-called machine translation and which may already organize, and
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This chapter sketches the outlines of the prevailing, but conceptually trivial, sense of translation we might be tempted to press into service as a political concept. It describes a different sense of translation, with different futures as a political concept, that flows from the rise of so-called machine translation and which may already organize, and
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Translating Translating Tengour
Expressions maghrébines, 2016Chapter 1 begins with a study of the most evidently literal, translational rewriting of a classical Arabic literary corpus. It analyses in depth Habib Tengour’s chapbook Césure (2006). I read Tengour’s literal translations of images and metaphors culled from the archive of the classical Arabic odes, alongside his American translator Pierre Joris’s ...
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