Results 1 to 10 of about 32 (32)
Henry II of Trastámara (1366–1367, 1369–1379)
Henry II of Castile, also known as Henry of Trastámara, from the Latin “Tras Tamaris” (or beyond the Tambre River), King of Castile and León (1366–1367, 1369–1379) was the first king of the Trastámara Dynasty.
María Ángeles Jordano Barbudo
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Defending the Catalan Language
This study focuses on the work Los col·loquis de la insigne ciutat de Tortosa [Dialogues. A Catalan Renaissance Colloquy Set in the City of Tortosa] by the Catalan knight Cristòfol Despuig.
Vicente Lledó-Guillem
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Peter IV of Aragon (1336–1387)
Peter IV king of Aragón (1336–1387). He was the seventh king of the Crown of Aragon, and father of Juan I (1387–1396) and Martín I (1396–1410), the last members of the dynasty to take the throne.
Marta Serrano-Coll
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Ferdinand II of Aragon (1479–1516)
Ferdinand II king of Aragon (1479–1516). He was the fourth king of the Trastámara dynasty, which had first come to power after the Compromise of Caspe, reached after Martin I died with no living descendants in 1410.
Marta Serrano-Coll
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The constitution of a new dynasty with the proclamation of D. João I of Portugal led to the creation of various propagandistic discourses. Portuguese historiography has only focused on the one created in his favor by his descendants, consecrated in the ...
Néstor Vigil Montes
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A partir de la conquista de Sevilla, en 1248, fueron muchos los judíos, primero, y los conversos, después, que llegaron a ocupar una posición preeminente, tanto en la ciudad, como en la corte, desempeñando, casi siempre, importantes oficios, al servicio
Isabel Montes Romero-Camacho
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Abstract On 2 June 1442, Alfonso V of Aragon seized the throne of Naples after twenty years of violence, rivalry and warfare between the houses of Anjou and Trastámara over control of the Italian Regno. Over the span of his sixteen‐year reign, Alfonso used Naples as a tool to build his reputation as a new Roman and Imperial ruler in the Italian south ...
Jessica L. Minieri
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This article examines the figure of Catherine of Lancaster from a perspective that brings together sigillography and the construction and representation of female and male models of power in late medieval Castile.
Irene Pereira García
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Giovanni Pontano hears the street soundscape of Naples
Abstract Giovanni Pontano’s dialogue Antonius can be read almost as a thick description of the soundscape of a Neapolitan street in the mid‐ to late‐15th century, complete with public announcements, street performers, domestic arguments, workers’ banter, charms and spells, processions, errand boys, bells, clocks, cockerels, and much more.
Tim Shephard, Melany Rice
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The research area of the interaction between religion, politics, and medieval Hispanic art has been pioneering and at the cutting edge of contemporary historiography in recent years.
Ana Maria Cuesta Sánchez
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