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The Travesti Critique of the Gender Identity Law in Argentina
Transgender Studies Quarterly, 2019 This article reviews the immediate travesti critique of the Argentine Gender Identity Law (law 26,743) in May 2012. Based on what was developed by Marlene Wayar, as an example of sudaca criticism and internal blasphemy, the travesti critique points out ...
Martin de Mauro Rucovsky +2 more
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Lohana Berkins: A Latin American Travesti Theory of the Body [PDF]
Body and SocietyThis article articulates Lohana Berkins’ Latin American travesti theory. Centred on the body and her feminist-influenced lived experience, Berkins’ theory is deeply concerned with intersectionality as a corporeal experience.
Patricio Simonetto +1 more
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2020
This chapter turns to the comedies of William Wycherley, which have long been taken to epitomize the libertine spirit of Restoration court culture. However, it argues that Wycherley (and others) pushed back against the court. The playwright's close relationship with the monarch enabled this resistance: he enjoyed royal patronage, had an affair with a ...
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This chapter turns to the comedies of William Wycherley, which have long been taken to epitomize the libertine spirit of Restoration court culture. However, it argues that Wycherley (and others) pushed back against the court. The playwright's close relationship with the monarch enabled this resistance: he enjoyed royal patronage, had an affair with a ...
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, 2020 In diesem Lexikonbeitrag wird die Geschichte der literarischen Travestie aus der Perspektive der Rhetorik analysiert, wobei es zunächst um die Entstehung und Entwicklung des Konzepts und der Bezeichnung von Travestie geht; in diesem Zusammenhang ist unverzichtbar auch die Abgrenzung von verwandten Begriffen wie Parodie und Burleske. Im zweiten Teil des
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Who Are the Dadas of Travesties!
Modern Drama, 1978>TOM STOPPARD'S LATEST full-length play, Travesties, produced by the Royal Shakespeare Company first in London (June 1974) and then in New York (October 1975), is a theatre-piece that meditates upon its own dramatic origins and at the same time dramatizes questions concerning the proper relation of politics to art.
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Journal of Bodies, Sexualities, and Masculinities, 2023
Abstract The archival-artistic practice of fashion designer and performer Gwen van den Eijnde attends to the bodily feelings prompted by physical engagement with historic costumes and textiles as a source of emotional discovery. Touching and wearing old fabrics of which we have no previous direct sensory knowledge can activate unexpected imaginings of ...
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Abstract The archival-artistic practice of fashion designer and performer Gwen van den Eijnde attends to the bodily feelings prompted by physical engagement with historic costumes and textiles as a source of emotional discovery. Touching and wearing old fabrics of which we have no previous direct sensory knowledge can activate unexpected imaginings of ...
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2019
Abstract This chapter considers three important satirical subgenres used by Alexander Pope during the early years of his career: the mock-essay, the dramatic satire, and the mock-heroic poem. It covers his writing from Guardian 40 (1713) to Peri Bathous (1727), published the year before his first mature satire, The Dunciad (1728), when ...
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Abstract This chapter considers three important satirical subgenres used by Alexander Pope during the early years of his career: the mock-essay, the dramatic satire, and the mock-heroic poem. It covers his writing from Guardian 40 (1713) to Peri Bathous (1727), published the year before his first mature satire, The Dunciad (1728), when ...
openaire +1 more source