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Nineteenth‐Century Watercolour Reproductions of Old Masters in the Ruskin Teaching Collection, Ashmolean Museum, Oxford: Materials and Techniques of ‘Heaven‐Borne’ Copyist Charles Fairfax Murray

Archaeometry, Volume 68, Issue 1, Page 64-83, February 2026.
ABSTRACT This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin.
Victoria Kemp +3 more
wiley +1 more source

The Complete Chloroplast Genome Sequence of Tree of Heaven (Ailanthus altissima (Mill.) (Sapindales: Simaroubaceae), an Important Pantropical Tree. [PDF]

Int J Mol Sci, 2018
Saina JK, Li ZZ, Gichira AW, Liao YY.
europepmc +1 more source

Prophetic Promise: The Lineal Return of ‘lopp’d branches’ in Shakespeare’s Cymbeline

Renaissance Studies, Volume 40, Issue 1, Page 55-75, February 2026.
Abstract This paper identifies the early‐modern conception of prophecy as a word‐magic performed across generations, a verbal promise that anticipates its own realisation in posterity. Just as Francis Bacon upheld the generative force of prophetic utterances by noting their ‘springing and germinant accomplishment throughout many ages’, Shakespeare’s ...
Rana Banna
wiley +1 more source

“Relato de um certo oriente” de Milton Hatoum: a (in)visibilidade dos tradutores

TradTerm, 2015
Este artigo se propõe a evidenciar o nível de visibilidade de Ellen Watson e John Gledson nas traduções para a língua inglesa da obra Relato de um certo oriente, escrito por Milton Hatoum.
Ana Patrícia Cavalcanti Queiroz
doaj

Annual Growth of the 'Tree of Heaven' [PDF]