Results 1 to 10 of about 101 (87)
Tristan Tzara's Dada Manifesto 1918 [PDF]
Zbornik Radova Akademije Umetnosti, 2015 The paper views the manifesto as a genre and looks into its role in avant-garde movements in the first half of the twentieth century. At the time, programme texts were used to promote, define and, very often, to establish a movement.
Dimovski Vladimir
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Andrei Codrescu – A Portrait of a Writer in Puzzle [PDF]
Caietele Echinox, 2023 The present portrait dedicated to the writer Andrei Codrescu (the most impactful American author of Romanian origin in postmodern world literature) is one of synthesis, depicting the multi-facetedness of this complex and provocative author, who is ...
Ruxandra Cesereanu
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Les manifestes dadaïstes et l’art de la répétition ou comment “dire” qu’on n’a rien à dire
Anales de Filología Francesa, 2023 This article examines one of the major roles played by repetition in the Dadaist manifestos. While the goal of a manifesto, by definition, is to convey a message, the Dadaist manifestos suggest, through the use of the repetition, that they have no ...
Iulian Toma
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TRAUMA RĂZBOIULUI ȘI CRIZA REPREZENTĂRII UMANULUI ÎN AVANGARDA LITERARĂ ȘI ARTISTICĂ: URMUZ ȘI MAX ERNST / WAR TRAUMA AND THE CRISIS OF HUMAN REPRESENTATION IN THE LITERARY AND ART AVANT-GARDE: URMUZ AND MAX ERNST [PDF]
Incursiuni în imaginar, 2023 The present work proposes an applied analysis, by bringing together the Romanian literary avant-garde with the European artistic one, a reunion represented by the text Emil Gayk, a text written by the precursor of the Romanian avant-garde, Urmuz, and the
Alexandru Foitoș
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Activism online: Exploring how crises are communicated visually in activism campaigns
Journal of Contingencies and Crisis Management, Volume 31, Issue 4, Page 1034-1043, December 2023., 2023 Abstract During the past years, activist movements have increasingly turned to social media to raise awareness and critically discuss current development and future scenarios. As a contribution to the discussion of new social movements and activism in the digital age, this study aims to explore and critically discuss how environmental risks and crisis ...
Anna‐Sara Fagerholm +3 more
wiley +1 more source
HUGO BALL'S RELIGIOUS CONVERSION
German Life and Letters, Volume 76, Issue 3, Page 376-391, July 2023., 2023 ABSTRACT This essay investigates the German ex‐Dadaist Hugo Ball (1886–1927) and his 1920s work on religious conversion from Paul, Augustine and Francis to writers and poets in modernity. This intense engagement was rooted in Ball's own radical conversion, or ‘re‐conversion’, to an austere form of the Catholicism of his childhood in 1920, just a few ...
Deborah Lewer
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Myths of Modernism: Austrian Art after 1918
Art History, Volume 46, Issue 2, Page 256-281, April 2023., 2023 The development of art in Austria after 1918 remains little explored; the main focus of research continues to be fin‐de‐siècle Vienna. Where interwar Austrian modernism is studied at all, interest is mostly limited to the municipal housing sponsored by the Social Democratic council.
Matthew Rampley
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“Changing” one's mind: Historical epistemology as normative psychology
Metaphilosophy, Volume 54, Issue 2-3, Page 295-308, April 2023., 2023 Abstract This article argues that historical epistemology offers the history of philosophy and science more than a mere tool to write the history of concepts. It does this, first of all, by rereading historical epistemology through Michel Foucault's “techniques of the self.” Second, it turns to the work of Léon Brunschvicg and Gaston Bachelard.
Massimiliano Simons
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Functions of Nature in the Thoughts of Fereydoon Moshiri and Paul Éluard [PDF]
ادبیات تطبیقی, 2020 Batool Afsharkiya3 1. Introduction Human life is closely bound to nature, from which he satisfies his physical as well as spiritual needs. This association with nature and the drive to discover potential natural forces facilitate human access to great ...
Hamid Jafari ghariyeali +2 more
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Nueva Revista de Filología Hispánica, 2020 Revistas de literatura, artes plásticas y de música no sólo acompañaban los movimientos de vanguardia de la primera mitad del siglo veinte, hoy llamados históricos, sino los plasmaban y expresaban. Su número es abrumador, tanto en Europa como en América.
Klaus Meyer Minnemann
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