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Akrasia and Agency in Ovid’s Tristia

2022
In the Tristia Ovid adapts to the exilic scenario elegy’s long-running engagement with philosophical questions concerning the degree to which we are in charge of our emotions, active in our decision-making, and, ultimately, in control of our destiny. Central to the predicament of both lover and exile is a conundrum of personal agency known as akrasia ...
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The Role of the Book in Tristia 3.1

Ramus, 1997
The third book of the Tristia is the first to have been written in Tomis, Ovid's place of exile. The long journey from Rome, the subject of the first book of the Tristia, is over. The distractions of the journey can no longer sustain him, and his only pleasure is to weep, in other words to write the elegy of lament: dum tamen et uentis dubius iactabar ...
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Ovidio, Tristia 4

2022
«Quanto è triste vivere tra Bessi e Geti / per chi è stato sempre sulla bocca del popolo». Tra il secondo e il terzo anno della sua relegatio sulle rive del Mar Nero (10-11 d. C.), per suscitare la compassione del lettore, Ovidio tratteggia la propria tragica ‘caduta’ assimilandosi a modelli letterari – da Prometeo a Filottete, da Ulisse a Enea – di ...
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«Tristia». Scritture dall’esilio

2013
Raccolta di saggi di respiro internazionale dedicati alla scrittura dall ...
BABBI, Anna Maria, CONCINA, Chiara Maria
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Tristia

The Hudson Review, 1972
W. S. Merwin   +2 more
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Some notes on Mandelstam’s Tristia

1990
Я изучил нaуку расстaвaнья В простоволосьiх жaлобaх ночньiх. жуют вольi‚ и длится ожидaнье‚ Послeдний чaс вигилий городских‚ И чту обряд той пeтушиной ночи‚ Κогдa‚ подняв дорожной скорби груз‚ глядeли вдaль зaплaканньie очи‚ И женский плaч мeшaлся с пеньем муз.
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The Tristia of Ovid

The Classical World, 1988
Harry B. Evans, David R. Slavitt
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