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The Troubadours and Their Lyrics
The Cambridge Companion to the Literature of the Crusades, 2018L. Paterson
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Journal of Visual Impairment & Blindness, 1928 Mediaevistik, 2023
Gérard Le Vot is indefatigable; the scholar’s and performer’s publications on troubadour music continue to offer specialists and generalists alike new windows on me-dieval music and contemporary performance of that music.
W. Pfeffer
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Gérard Le Vot is indefatigable; the scholar’s and performer’s publications on troubadour music continue to offer specialists and generalists alike new windows on me-dieval music and contemporary performance of that music.
W. Pfeffer
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Towards a New Edition of the Répertoire métrique de la poésie des troubadours
Neophilologus, 2015Gianluca Valenti
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Walter Scott's Troubadours and Post-Napoleonic Europe in The Talisman and Anne of Geierstein
ELH: English literary history:Reappraising the presence of the troubadour and troubadour discourse in Romantic-period literature and culture, this essay specifically explores Walter Scott's re-elaborations of the troubadour theme in his output from the Napoleonic aftermath to his ...
Diego Saglia
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The Troubadours: An Introduction
Comparative Literature, 2001Preface: How to use this book Introduction Simon Gaunt and Sarah Kay 1. Courtly culture in medieval Occitania Ruth Harvey 2. Fin' amor and the development of the courtly canso Linda Paterson 3. Moral and satirical poetry Catherine Leglu 4. Early troubadours: Guilhem IX to Bernart de Ventadorn Stephen G. Nichols 5.
Sarah Kay, Simon Gaunt
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2020
The twenty-first century, barely two decades old, has already seen the production of two highly acclaimed modernist operas about troubadours, Kaija Saariaho and Amin Maalouf’s L’amour de loin (2000) and Written on Skin (2012), by George Benjamin and librettist Martin Crimp.
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The twenty-first century, barely two decades old, has already seen the production of two highly acclaimed modernist operas about troubadours, Kaija Saariaho and Amin Maalouf’s L’amour de loin (2000) and Written on Skin (2012), by George Benjamin and librettist Martin Crimp.
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The Culture (Ninth–Twelfth Centuries): Clerics and Troubadours
, 2017The Crown of Aragon. A Singular Mediterranean Empire recovers the history of an important late medieval crossroads, that brought peoples from Iberia to Greece together and promoted culture as a means of cohesion.
I. Grifoll
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2017
This paper deals with the complicated sociopolitical space defined by the use and transformation of what we call Occitan language. Literary and cultural production in Occitan language during the late 12th and early 13th centuries light up the boundary conditions, the boundary values of what we call courtly culture making them visible in all their ...
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This paper deals with the complicated sociopolitical space defined by the use and transformation of what we call Occitan language. Literary and cultural production in Occitan language during the late 12th and early 13th centuries light up the boundary conditions, the boundary values of what we call courtly culture making them visible in all their ...
openaire +1 more source