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SOME FALSE AFFILIATES ON TURKISH-ISLAMIC ARTS HISTORY
Kalemisi Dergisi, 2017 Early Islamic Ceramic Art and especially Pre-Seljuk period are not generally taken into account in terms of the Turkish art effects. This is based on traditional assumption of established in the history of art.
Lale Avsar
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International Journal of Urban and Regional Research, EarlyView.This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism.
Hulya Arik, Sabrien Amrov
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Marife Dini Araştırmalar Dergisi, 2022 Sabri F. Ülgener (1911-1983), with his ability to combine eastern and western cultures in his own character, his rigorous and disciplined way of working and his ability to use different sources in his research, also has an important place in the aspect ...
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Endosmosis: bio-geographical sources of a World Art History [PDF]
Journal of Art Historiography, 2023 The establishment of non-European art historical scholarship at the University of Vienna narrates the influence of turn of the twentieth century German academic exchanges between natural sciences and the humanities.
Zehra Tonbul
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Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic
New Perspectives on Turkey, 2023 This article explores how Islamic art was produced and used in Turkey within the context of modern warfare during World War I, the War of Independence, and the nascent Republic – a subject still relatively understudied in Turkish history, as well as in ...
Gizem Tongo, I. Schick
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An Architectural Element: Mashrabiya
Art-Sanat, 2022 Certain terms of Arabic and Persian origin employed in Islamic art and architecture are used with different meanings in Turkish. “Mashrabiya” is one of those terms.
Demet Taşkan, Alzahraa Behzad Ismaeel
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Rethinking the German Tokens Uncovered in Amasya, Harşena Fortress and Maidens’ Palace Excavations
Höyük, 2023 Amasya, Harşena Fortress which rises from the banks of Yeşilırmak is comprised of three parts. From top to bottom, Harşena Fortress which is also called the upper fortress, the area in front of the rock-cut King Tombs which was ...
E. Emine Naza Dönmez
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Multicultural Architecture in Anatolia: Turkish Islam and Christianity in One Rock-Cut Complex
Sanat Tarihi Yıllığı / Journal of Art History, 2023 The Ihlara Valley rock-cut complex, located about 3km northwest of the village of Belisırma in Aksaray, sheds light on medieval settlement architecture.
N. Ataç
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Wheel of Fortune Forms in Turkish–Islamic Domes
Sanat Tarihi Yıllığı, 2021 The symbol of the wheel of fortune (pinwheel) has an ancient past and symbolizes the movement of the world and the universe, destiny, eternity, and immortality. The wheel of fortune motif, which is seen in handicrafts and architectural plastic decoration,
Alper Altın
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About imam Sighnoqiy and his «Risola dar Tarjima-i Ahmad Yassawiy»
Әл-Фараби Атындағы Қазақ Ұлттық Университеті хабаршы шығыстану сериясы, 2021 After the settlement of of Sufism among the Turkic society have occurred many important events in the life of Turks. It was created wonderful examples of the Turkic Sufi culture in social areas as language, literature, art, philosophy, music and many ...
N. Khasanov
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