Analysis of the Opera Kerem by Akhmet Adnan Saygun
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2021 The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as
Айсель Асадова
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Gurbet Türkülerinde İstanbul İmgesi: “Yârim İstanbul’u Mesken mi Tuttun” [PDF]
Folklor/Edebiyat, 2019 Istanbul, which is one of the main centers in the shaping of Turkish music culture, in the process of creation, performance and dissemination of music, has been visualized with striking beauties in many of folk songs as in our classical music ...
F. Gülay Mirzaoğlu
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Reevaluation of the Kürdî Makam in the Light of Turkish Folk Songs
Konservatoryum, 2021 The main purpose of this study is reevaluate the Kürdî makam and interpret the data in view of current theoretical knowledge. After examining the folk songs in the TRT Turkish folk music repertoire, a total of 20 sample folk songs determined to be in ...
Kubilay Yılmaz
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The Past and Present of Mardin’s Music from Traditional to Globalization / Gelenekselden Küreselleşmeye Mardin Müziğinin Dünü ve Bugünü [PDF]
Folklor/Edebiyat, 2023 This study aims to make various determinations pertaining to the past and present of the music culture by addressing Mardin’s traditional music structure and draw attention to the effects of globalization.
Mehmet Yücesoy* +2 more
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Saygun’s Perspective on Tradition and the Anatolian Melodies Used in the Opera Kerem
Konservatoryum, 2023 This article examines the opera Kerem (Op. 28) composed by Ahmed Adnan Saygun (1907-1991) in terms of traditionalism due to how it involves elements of Anatolian traditions. The libretto of the opera was written by Selâhattin Batu (1905-1973).
Yılmaz Koç
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The role of image schemas, conceptual metaphor and metonymy in structuring the conceptual field of sound in Turkish/Türkçede ses kavramsal alanının yapılandırılmasında imge şemaları, kavramsal metafor ve metonimi [PDF]
Folklor/Edebiyat, 2020 In this research, the concept of sound in Turkish has been considered in terms of its occurrences in the fields of music and speech and analyzed in the related metalanguage and daily language.
Özay Önal
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Yakın Dönem Türkiye Araştırmaları, 2023 Music is a cultural phenomenon with an important place in daily life practices. The Westernization movement that started with the Tanzimat during the Ottoman era was also reflected in the field of music and then placed on an academic basis during Türkiye’
Ceyhun Öğreten
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Turbo-folk and ethnicity in the mirror of the perception of the youtube users [PDF]
Glasnik Etnografskog Instituta SANU, 2012 Popular music played in the second half of the 20th century on the territory of former Yugoslavia became known as the newly composed music. During the 1990s wars, music genre known as turbo folk was especially popular in Serbia.
Blagojević Gordana
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Peşrevs Called “Bülbül” in Turkish Music Sources
Türkiyat Mecmuası, 2022 The notes in various archives and collections point toward the existence of different musical pieces, for which the name “Bülbül” is linked to the term peşrev.
Eray Cömert
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BÉLA BARTÓK: “CONCERTO FOR ORCHESTRA”. ELEMENTS OF TURKISH FOLKLORE IN THE SOURCES OF A MASTERPIECE
Studia Universitatis Babeş-Bolyai. Musica, 2019 Béla Bartók’s Concerto for Orchestra represents one of the masterpieces of the 20th century. In the field of musicology there are countless analyses of this work from different points of view.
Boglárka SZAKÁCS
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