Music geography: Geography in turkish folk music
, 2015 This paper is about the geography of music, a discipline developed as a subfield within cultural geography. In general, music geography tries to understand the notion of region through rhythmic sounds called music. The purpose of this paper is to introduce the main topics studied in music geography and to call attention to the fact that regional music ...
Uğur, Abdullah
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Turkish folk music in Ghent: musical knowledge in a diaspora context [PDF]
, 2010 Turkish folk music (Türk halk müziği) is in its motherland an academically approached, conservatory-institutionalised and state-supported kind of music. The reason for this uncommon attention and care is the great importance that has been attached to this music since the founding of the Republic (Türkiye Cumhuriyeti). Traditional Turkish folk music has
Sels, Liselotte
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Turkish folk music in Ghent: developing musical knowledge in a diaspora context
, 2010 The question of musical knowledge applied to folk music is always challenging. While folk music normally does not have great artistic or academic aspirations and its theory and praxis are often little documented, its musicians and public still possess the necessary (implicit) knowledge to be able to produce and consume their music.
Sels, Liselotte
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Yüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2022 When looking at Contemporary Turkish Music, it is noticeable that the works of the second and third generation Turkish composers who came after the Turkish Five have achieved an advanced level of mastery.
Özlem Er Civelek
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Analysis of the Opera Kerem by Akhmet Adnan Saygun
Вісник Київського національного університету культури і мистецтв. Серія: Музичне мистецтво, 2021 The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as
Айсель Асадова
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Gurbet Türkülerinde İstanbul İmgesi: “Yârim İstanbul’u Mesken mi Tuttun” [PDF]
Folklor/Edebiyat, 2019 Istanbul, which is one of the main centers in the shaping of Turkish music culture, in the process of creation, performance and dissemination of music, has been visualized with striking beauties in many of folk songs as in our classical music ...
F. Gülay Mirzaoğlu
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Reevaluation of the Kürdî Makam in the Light of Turkish Folk Songs
Konservatoryum, 2021 The main purpose of this study is reevaluate the Kürdî makam and interpret the data in view of current theoretical knowledge. After examining the folk songs in the TRT Turkish folk music repertoire, a total of 20 sample folk songs determined to be in ...
Kubilay Yılmaz
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The Past and Present of Mardin’s Music from Traditional to Globalization / Gelenekselden Küreselleşmeye Mardin Müziğinin Dünü ve Bugünü [PDF]
Folklor/Edebiyat, 2023 This study aims to make various determinations pertaining to the past and present of the music culture by addressing Mardin’s traditional music structure and draw attention to the effects of globalization.
Mehmet Yücesoy* +2 more
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Saygun’s Perspective on Tradition and the Anatolian Melodies Used in the Opera Kerem
Konservatoryum, 2023 This article examines the opera Kerem (Op. 28) composed by Ahmed Adnan Saygun (1907-1991) in terms of traditionalism due to how it involves elements of Anatolian traditions. The libretto of the opera was written by Selâhattin Batu (1905-1973).
Yılmaz Koç
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The role of image schemas, conceptual metaphor and metonymy in structuring the conceptual field of sound in Turkish/Türkçede ses kavramsal alanının yapılandırılmasında imge şemaları, kavramsal metafor ve metonimi [PDF]
Folklor/Edebiyat, 2020 In this research, the concept of sound in Turkish has been considered in terms of its occurrences in the fields of music and speech and analyzed in the related metalanguage and daily language.
Özay Önal
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