Results 61 to 70 of about 300 (181)
A Review on Makam Structure of Erdal Erzincan’s Bağlama/Saz Improvisation Performances
The aim of the research is to approach Turkish makam music from a holistic perspective, to address the makam structure in Erdal ERZİNCAN’s baglama/saz improvisation performances and to offer solutions to the ongoing makam-diz-ayak debates among GTHM ...
Ahmet Akın, Sühan İrden
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Music geography: Geography in turkish folk music
This paper is about the geography of music, a discipline developed as a subfield within cultural geography. In general, music geography tries to understand the notion of region through rhythmic sounds called music. The purpose of this paper is to introduce the main topics studied in music geography and to call attention to the fact that regional music ...
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Historical approach to Turkish folk and classical music
Turkish Classical Music, especially with the success at the Ottoman period, is a music of a civilization. It became a common language in all geographies and people that Turks made contacts with in various ways. Turkish civilization does not deny what she learned from Persians and Arabs, but she managed to use them to improve herself and developing ...
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A STUDY OF NİĞDE FOLK SONGS IN TERMS OF MUSICAL AND LYRICAL ELEMENTS
Culture is the transfer of the experiences and living standards shaped by one or several societies to future societies, the defining element of societies aimed at their own characteristics, a combination of successively developed social ways of living ...
Hazan Kurtaslan, İzzet Yücetoker
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Sesler ve Sayfalar Arasında: 1940’lardan 1950’lere Türk Halk Müziği’nin Popülerleşme Süreci
Türk halk müziği yüz yıllar boyunca Anadolu’nun farklı bölgelerinde sözlü kültür aracılığıyla nesilden nesile aktarılmış bir müzik geleneğidir. Modern iletişim araçlarının yaygınlaşmasıyla birlikte halk müziği daha geniş kitlelere ulaşmaya başlamıştır ...
Bilen Işıktaş
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Synaesthesia of visual and musical - Vićentije Petrik: Marš Miloša S. Milojevića (Miloš S. Milojević`s March) [PDF]
The paper analyzes the visual aspect of the score cover page and the musical content of the Marš Miloša S. Milojevića (Miloš S. Milojević`s March) for piano (1881), composed by Vićentije Petrik, a Czech musician who worked in Serbia at the end of the ...
Cvetković Sonja S.
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The effect of music-based interventions on short-term postpartum episiotomy pain: A systematic review and meta-analysis. [PDF]
Maleki A, Youseflu S.
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Bozlak as a Form of Uzun Hava in Turkish Folk Music
Bozlak', which is a form of 'uzun hava' (long tune) in Turkish Folk Music, has been a form of music starting from Central Anatolia and an expression of the cultures of the Yoruk/Turkmen and Avshar tribes which pursue a way of life based on yaylak (summer highland pasture)-and kislak (winter pasture).
Karakaya, Oğuz, Önal, Hamit
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Geographical motifs in Turkish folk music lexicon and similarity analysis
Türk halk müziği, adından da anlaşılacağı üzere halkın içinden çıkmış, halka mal olmuş, halkı anlatan ve halkı tanımlayan bir müzik türü olup, söylendiği yörenin fiziki ve beşeri özelliklerinden önemli ölçüde etkilenmektedir.
Gürbüz, Mehmet, Şahin, Mehmet
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