Results 11 to 20 of about 381 (180)

DECOLONIZING CREATIVE GEOGRAPHIES OF ART BIENNIALS : A Study of Istanbul's Yeditepe Biennial through the Cultural Politics of Turkish Islamic Nationalism

open access: yesInternational Journal of Urban and Regional Research
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the ...
Hulya Arik, Sabrien Amrov
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Diyanet İşleri Başkanlığı Merkez Kütüphanesi’nde Kayıtlı Üç Memlük Mushafının Kitap Sanatları Açısından İncelenmesi

open access: yesTrabzon İlahiyat Dergisi, 2023
13. yüzyıl, İslam coğrafyasında mushafların yazımı ve tasarımında belirgin bir değişimin gözlemlendiği dönemdir. Moğol istilası ile haçlı seferlerinin sebep olduğu kültürel tahribat, değişen haritalar ve istila sonrasında Memlük ve İlhanlıların kültürel ...
Abdurrahim Ayğan
doaj   +1 more source

Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic

open access: yesNew Perspectives on Turkey, 2023
AbstractThis article explores how Islamic art was produced and used in Turkey within the context of modern warfare during World War I, the War of Independence, and the nascent Republic – a subject still relatively understudied in Turkish history, as well as in international cultural histories of modern warfare and histories of modern art in the Middle ...
Gizem Tongo, İrvin Cemil Schick
openaire   +1 more source

Contemplation and Craft in Turkish Material Arts

open access: yesAmerican Journal of Islam and Society, 2016
Books Reviewed: Mehmet Zeki Kuşoğlu, The Ottoman Touch: Traditional Decorative Arts and Crafts (Istanbul: Blue Dome Press, 2015); Mehmet Zeki Kuşoğlu, Silver in Turkish Art (Istanbul: Blue Dome Press, 2015); Sema Onat, Islamic Art of Illumination ...
Tammy Gaber
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"Painting in Islamic art (Al-wasiti - case study)"

open access: yesJournal of Architecture, Art & Humanistic Science, 2017
"When Islam emerged in the seventh century the Arabs did not have provided anything noteworthy in the art of Painting But there were modest attempts taken directly from the other arts, The poetry is their first field, However, the Islamic faith has ...
Sameh Zaki
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The Transition of the Persian Carpet Designing, Referring to the Herat and Shiraz Miniatures, since 1446 until the First Decades of the 16th Century AH in Iran [PDF]

open access: yesنگره, 2020
Throughout the history, the development of carpet designs, especially rug patterns, have been influenced by political, social, and cultural factors. These variables have played a decisive role in the aesthetic and the transformation of Persian city-woven
Davood Shadlou
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Mawlid as a Musical Form in Turkish Religious Music

open access: yesİslami İlimler Dergisi, 2023
The term Mawlid in Islamic culture, stands for many concepts from literature to fine arts, sociological phenomena to religious services and musical practises.
Eren Köksal
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The Calligraphic Arrangement of the Laleli Complex (Evaluation of Inscriptions and Writings)

open access: yesİslam Tetkikleri Dergisi, 2023
The Laleli Complex was built by Mustafa III 1760-1764 and its architectural features are representative of the intermediate period of the transition from classical Ottoman to Westernization.
Mustafa Sürün
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Authenticity and modernity of the Islamic calligraphy aesthetics and applying in textile

open access: yesJournal of Architecture, Art & Humanistic Science, 2017
The Islamic calligraphy, the written thoughts as the ancestors said, is the first base of the Islamic arts. It is the crown of the Islamic arts and heritage.
Fadya Hashem
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A Decoration Technique Featured in 18th Century Turkish Bindings: Yekşah

open access: yesCumhuriyet İlahiyat Dergisi, 2022
Decoration techniques have changed over time in bookbinding art, as in every branch of art. The 18th century is a period in which the classic style bindings were continued to be made, but at the same time new decoration techniques were tried. Yekşah, one
Fatma Şeyma Boydak
doaj   +1 more source

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