Results 101 to 110 of about 120,661 (285)

Looking at Us Through Their Eyes. The Analytical Process from Ethnographic Perspectives1

Journal of Analytical Psychology, EarlyView.
Abstract This article looks at the analytical situation through the Others’ eyes—through examples from contemporary ethnographies of foreign cultures. It discusses the following issues: a) The analogy between the ontological worlds of the dead, ghosts, animals and dreams in “primitive populations” and the analytical psychological descriptions of the ...
Stefano Carta
wiley   +1 more source

Twentieth Century Painting from the Collection exhibition, Baltimore Museum of Art, May 6 – July 27, 1980

, 1980
Twentieth Century Painting from the Collection, on view at the Baltimore Museum of Art from May 6 through July 27, 1980, featured a selection of modern works from the Museum's permanent collection.
Baltimore Museum of Art
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‘I, Me, Myself’: Selfhood and Melancholy in the Journals of Gertrude Savile (1697–1758)

Journal for Eighteenth-Century Studies, EarlyView.
Abstract This article examines the journals of Gertrude Savile from 1727 in light of recent scholarship on early modern and eighteenth‐century melancholy. The concept had myriad associations with medicine, physiology, the imagination, and feeling, but questions remain about how melancholy during this period was considered by those outside the narrow ...
Daniel Beaumont
wiley   +1 more source

Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931

Journal for Eighteenth-Century Studies, EarlyView.
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley   +1 more source

Nineteenth and Twentieth Century Northern European Graphics: Angelica Kauffmann to Ludwig Kirchner exhibition, Baltimore Museum of Art, February 8 – April 3, 1977

, 1977
Nineteenth and Twentieth Century Northern European Graphics: Angelica Kauffmann to Ludwig Kirchner, on view at the Baltimore Museum of Art from February 8 through April 3, 1977, traced the development of Northern European graphic art from the Romantic ...
Baltimore Museum of Art
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Rise of the south: How Arab‐led maritime trade transformed China, 671–1371 CE

Asia‐Pacific Economic History Review, Volume 65, Issue 1, Page 3-38, March 2025.
Abstract China's center of socioeconomic activities was in the North prior to the Tang dynasty but is in the South today. We demonstrate that Arab and Persian Muslim traders triggered that transition when they came to China in the late seventh century, by lifting maritime trade along the South Coast and re‐creating the South.
Zhiwu Chen, Zhan Lin, Kaixiang Peng
wiley   +1 more source

The nation‐state, non‐Western empires, and the politics of cultural difference

American Journal of Political Science, EarlyView.
Abstract While empires have been central to political theory, they almost always refer to Western forms of imperialism and colonialism to which non‐Western societies are subject. But precolonial empires have ruled much of the world for much of known history. Building on recent International Relations (IR) scholarship, this article reconstructs an ideal
Loubna El Amine
wiley   +1 more source

Combinatorics in the Art of the Twentieth Century

, 2017
This paper is motivated by a question I asked myself: How can combinatorial structures be used in a work of art? Immediately, other questions arose: Whether there are artists that work or think combinatorially? If so, what works have they produced in this way? What are the similarities and differences between art works produced using combinatorics?
openaire   +1 more source

Nouveau to Deco: Textiles of the Early Twentieth Century exhibition, Baltimore Museum of Art, March 17 – August 1, 1999

, 1999
Flowing, curving lines, vivid color and highly stylized natural and geometric forms characterize the fabrics of the early years of the 20th century, vibrantly reflected in an exhibit at the Baltimore Museum of Art called "Nouveau to Deco: Textiles of the
Baltimore Museum of Art
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Disciplining the “Queen of the World”? Responsible Innovation as a Way of Life

Business Ethics, the Environment &Responsibility, EarlyView.
ABSTRACT This paper offers a critical reflection on the concept of responsible innovation as defined during the last decades. We argue that the emphasis on innovation as a process risks neglecting the very goals of innovation, namely societal desirability and acceptability. Thus, we suggest reconsidering the role of imagination, the “Queen of the world”
Xavier Pavie, Ghislain Deslandes, Monika Kostera   +2 more
wiley   +1 more source