Results 61 to 70 of about 506,685 (336)

Rhapsody in Red, White and Blue: The Co-Evolution of Popular and Art Music in the United States during World War II

open access: yes, 2017
World War II was a watershed event in twentieth century American history. All aspects of life, including music, both found roles to play in the war effort and were forever altered by the conflict.
Kowalewski, Douglas A.
core  

Sexing the history of Indian anti‐colonial internationalism: White women, Indian men and the politics of the personal

open access: yesGender &History, EarlyView.
Abstract In contrast to the wealth of literature on the gendered and sexual politics of Indian nationalism, studies on the internationalisation of Indian anti‐colonial nationalism are rarely informed by the twin themes of gender and sexuality. As Indian activists traversed international political spaces in the early twentieth century, they frequently ...
Joanna Simonow
wiley   +1 more source

The agency of a marmalade machine: Gender, class and mechanical gadgets in the British Kitchen, c.1870–1938

open access: yesGender &History, EarlyView.
Abstract This article explores the marmalade machine, a mechanical device designed to slice orange peel. These niche objects were manufactured between roughly 1870 and 1938 in Britain. As a so‐called ‘labour‐saving’ gadget, the marmalade machine sliced orange peel quickly and effectively, removing the tedious process of slicing orange peel by hand ...
Katie Carpenter
wiley   +1 more source

Book review: Central Asia in art: from Soviet Orientalism to the new republics by Aliya Abykayeva-Tiesenhausen [PDF]

open access: yes, 2016
In Central Asia in Art: From Soviet Orientalism to the New Republics, Kazakh art historian Aliya Abykayeva-Tiesenhausen traces Soviet portrayals of Kazakhstan, Uzbekistan and Kyrgyzstan in twentieth-century art.
Warren, Michael
core  

Art History in Remote Aboriginal Art Centres [PDF]

open access: yes, 2013
The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its theme of 'Crossing Cultures' that art history must revise its nationalistic methodologies to construct more international histories of art.
Jorgensen, Darren
core   +2 more sources

Putting the Femme in Feminist: Trans Feminism and the ‘Male Lesbian’ in the American Second Wave

open access: yesGender &History, EarlyView.
ABSTRACT A slur, a joke or a post‐structuralist case of mistaken identity. To the extent that the male lesbian has been discussed, she has figured dismissively. Yet throughout the period historicised as American feminism's second wave, potentially thousands of trans femmes organised under this identity. Despite being entirely overlooked in scholarship,
Aino Pihlak, Emily Cousens
wiley   +1 more source

A Conceptual World: Why the Art of the Twentieth Century is So Different From the Art of All Earlier Centuries [PDF]

open access: yes
This paper surveys 31 new genres of art that were invented during the twentieth century, chronologically from collage, papier colle, and readymades through installation, performance, and earthworks.
David W. Galenson
core  

'What's the Matter?': The Object in Australian Art History [PDF]

open access: yes, 2011
In this paper I outline some of the historiographical issues that inflect the study of objects within Australian art history, firstly for the nineteenth century and then, more briefly, for the ...
McNeil, PK
core  

‘Humans Are Omnipotent and Beyond Their Destiny!’ Late Soviet Perspective on Girls’ Upbringing and the Female Self

open access: yesGender &History, EarlyView.
ABSTRACT The article examines post‐Stalinist Soviet expertise on girls’ education and upbringing, analysing texts for and about female adolescents created by specialists in pedagogical sciences, psychology, sociology, medicine as well as children's writers and journalists from different parts of the Union, including national republics. The text focuses
Ella Rossman
wiley   +1 more source

Co-Authoring Advanced Art [PDF]

open access: yes
The joint production of paintings by more than one artist was not uncommon in the past: a number of Old Masters had assistants do much of the work on their paintings, executing images that had been planned by the master.
David Galenson
core  

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