Results 11 to 20 of about 6,747 (269)
Technologies of Romance: on the choice of a typeface for a book and the possibilities for technological Romance [PDF]
This paper offers a rationale for the typefaces chosen for the publication Technologies of Romance: Part II written by Paul O’Kane and celebrated at a symposium held at the Science Museum in November 2018. In setting out this rationale the paper broadens
Catherine Dixon
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Seni Bicara Lewat Typeface Dekoratif dan Komposisi
On this essay, the main topic is related to one of the branch in visual communication design, typography. In the early days, typography derives from hand writing, but nowadays, it has been developed digitally by means of computer.
Anita Rahardja, Dominique Rio Adiwijaya
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Student created original typeface, hand rendered each letter of the alphabet onto paperhttps://repository.belmont.edu/watkins_gd/1035/thumbnail ...
McKee, Fin
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Writing systems and typefaces embodimented in any form (letter sketches, designs of typefaces, resources of sorts and matrices, prints and manuscripts, printing specimens, type foundries catalogues, typefaces specimens) are objects worth to become museum
Jakub Maciej Łubocki
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How does serif vs sans serif typeface impact the usability of e-commerce websites? [PDF]
This study tries to find evidence that points towards the best typeface to use in e-commerce websites to maximize usability, trust, loyalty, appearance and overall user satisfaction.
Sara Vecino +4 more
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Eye tracking study of attention to print advertisements: Effects of typeface figuration
The use of rhetorical figures has become a widely–accepted method for capturing attention and positively increasing cognitive effort in print advertisements.
Irma Puškarević +3 more
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The interest in discovering the limits of legibility has not ceased to interest those who use letters in typography and, to a certain extent, those who study the reading process. Sometimes the debate on the subject is marred by sensationalism.
Luciano Perondi
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The Ottoman Printers’ 8 Point Naskh Typeface and its Turkish Type Maker Mehmed Emin Efendi
This paper discusses the 8 point (pt) naskh typeface created in Istanbul between 1870 and 1875 and utilized by Ottoman printers during the late 19th and early 20th centuries.
Onur Fatih Yazıcıgil
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when the poet gives empty leaves
In the right light, blank pages in renaissance books routinely reveal legible impressions of uninked typeface, especially interesting when these frisket- hidden texts are intertextual, as when typeface from Aldo Manuzio’s April 1501 Vergil prints ...
Rosetta Stein
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Visibility and legibility of five-letter words in different experimental conditions [PDF]
The length of a word depends on the number of characters that make it up. Since we are constantly confronted with words (information), a suitable typeface should be chosen to make reading comfortable and easy.
Primož Weingerl +2 more
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