Results 211 to 220 of about 8,383 (247)
Some of the next articles are maybe not open access.
SSRN Electronic Journal, 2017
This chapter analyses two important questions - a) whether typefaces are copyrightable; and b) whether typefaces ought to be copyrightable. To answer the first question, the chapter uses the doctrinal method in research and examines in detail the statutory provisions and important case-laws in three important common law jurisdictions – India, the ...
Arul George Scaria, Mathews P. George
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This chapter analyses two important questions - a) whether typefaces are copyrightable; and b) whether typefaces ought to be copyrightable. To answer the first question, the chapter uses the doctrinal method in research and examines in detail the statutory provisions and important case-laws in three important common law jurisdictions – India, the ...
Arul George Scaria, Mathews P. George
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Synthesizing Ornamental Typefaces
Computer Graphics Forum, 2015AbstractWe present a method for creating ornamental typeface images. Ornamental typefaces are a composite artwork made from the assemblage of images that carry similar semantics to words. These appealing word‐art works often attract the attention of more people and convey more meaningful information than general typefaces.
Junsong Zhang +3 more
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Educational Media Reviews Online, 2011
Distributed by Kartemquin Films, 1901 W. Wellington, Chicago IL 60657Produced by Gordon Quinn, Maria Finitzo Produced by Gordon Quinn, Maria FinitzoDirected by Justine Nagan2010, DVD, color, 60 min. This warm-hearted, at time elegiac, yet unflaggingly hopeful documentary profiles the Hamilton Wood Type and Printing Museum, the world’s largest wood type
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Distributed by Kartemquin Films, 1901 W. Wellington, Chicago IL 60657Produced by Gordon Quinn, Maria Finitzo Produced by Gordon Quinn, Maria FinitzoDirected by Justine Nagan2010, DVD, color, 60 min. This warm-hearted, at time elegiac, yet unflaggingly hopeful documentary profiles the Hamilton Wood Type and Printing Museum, the world’s largest wood type
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1996
Abstract We have incredible power over the look of our documents more power than entire print shops of a decade ago. The trick is to use that power effectively for conveying the message. The goal of this chapter is to show you how.
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Abstract We have incredible power over the look of our documents more power than entire print shops of a decade ago. The trick is to use that power effectively for conveying the message. The goal of this chapter is to show you how.
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“Looking sharp”: Price typeface influences awareness of spending in mobile payment
Psychology and Marketing, 2022CARLOS Velasco +2 more
exaly
How companies use typeface design to engage consumers in charitable activities
Psychology and Marketing, 2023Dickson Tok, Xing-Yü Chu
exaly