Results 281 to 290 of about 8,362 (314)
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CRT Typeface Design and Evaluation

Proceedings of the Human Factors Society Annual Meeting, 1987
Reading text from a video display screen is a relatively new modality of human communication. This new technology presents advantages and limitations never considered in the design of typefaces for printed communication. It is well known that people read faster from printed text than from a Cathode Ray Tube (CRT).
Ruth Ann Crespo   +3 more
openaire   +2 more sources

Typefaces

1996
Abstract We have incredible power over the look of our documents more power than entire print shops of a decade ago. The trick is to use that power effectively for conveying the message. The goal of this chapter is to show you how.
openaire   +1 more source

Adea - Evolving glyphs for aiding creativity in typeface design

GECCO Companion, 2020
Being creative in Graphic Design often requires protected experimentation processes. We present an evolutionary engine for generating glyphs, aiding designers to explore during the creative process.
Daniel Lopes   +2 more
semanticscholar   +1 more source

Display of typefaces

1994
Because the primary interest in this book involves type using digital formats it will be helpful to include all devices displaying typographic characters. As previously mentioned, those machines can be grouped into three categories; visual display terminals, typesetting machines and numerically controlled (NC) machines.
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Typefaces as Film Stars

2005
A survey of display typefaces designed during the photocomposition era, concentrating on styles for advertising created in New York City.
openaire   +1 more source

Typeface recognition and legibility metrics

Cognitive Systems Research
In the digital age, people prefer digital content, but screen-related health concerns like eye strain and blue light emerge. Legibility gains importance in digital text, especially in fields like optometry and for those with low vision. Therefore, having good letter recognition ensures better readability of words and written language in general.
Molinero Albareda, Xavier   +3 more
openaire   +2 more sources

Typeface as a mediating technology of organization

2019
Type was moulded from metals, before becoming immaterial. This chapter acknowledges this mediating transformation toward digital modulation, whilst holding on to the persistent sense of type having a face, an aesthetic form whose organizing affects permeate human understanding.
openaire   +2 more sources

Typeface Design for Cultural Identity—An Exploration with Assamese Typeface Design and Its Future Scope

2021
The identity of culture also comes from its language. In India, which is known for its diversity in culture, each language that exists establishes a cultural identity. In this paper, an exploration conducted on reviving the identity of the Assamese script which represents Assamese language and culture of North-East India has been described.
Abhijit Padun, Amarendra Kumar Das
openaire   +2 more sources

typEm: a generative typeface that represents the emotion of the text

ARTECH, 2019
The introduction of programmatic concepts brought to typography new experiments, concepts, and the possibility to create generative typefaces, capable of adapting to different contexts.
Catarina Maçãs, D. Palma, Artur Rebelo
semanticscholar   +1 more source

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