Results 291 to 300 of about 8,362 (314)
Some of the next articles are maybe not open access.
TYPEFACE IDENTIFICATION FOR PRINTED CHINESE CHARACTERS
International Journal of Pattern Recognition and Artificial Intelligence, 1998In this paper, we propose a methodology for identifying typefaces of printed Chinese characters in documents. Three kinds of features, stroke width means, stroke width variations, and aspect ratio, are first used to classify character typefaces as: Black, Li, Kai-Round, or Ming-Song. Each of the last two groups contains two typefaces.
Hsi-Jian Lee +2 more
openaire +2 more sources
A Comparison of Typefaces for the Telephone Directory
Clinical and Experimental Optometry, 1982A new typeface, Bell Centennial, proposed for use in Australian telephone directories is compared to the typeface, Bell Gothic, which is used at present. The comparison was made using five alternative typographical layouts and the criteria for evaluation were errors made reading the sample material, reading speed and time taken to search for target ...
C. Clare Madigan, Barry L Cole
openaire +2 more sources
An Experimental Investigation of Typeface Connotations
Journalism Quarterly, 1964In an experimental study calling upon three groups of subjects with differing knowledge of typography to rate sets of typefaces, the authors find proof that typography can communicate connotative variations.
Percy H. Tannenbaum +2 more
openaire +2 more sources
The Indépendant, a Typeface as Period Document
Quaerendo, 2008[The Independant is a modish display type from 1930 which was cast in Brussels by Etablissements Plantin, the Belgian branch of the Dutch company 'Lettergieterij Amsterdam' (Amsterdam Type Foundry). The typeface was designed by G. Collette and J. Dufour, probably by using matrices that were engraved in the Netherlands. It is the only hot-metal typeface
openaire +2 more sources
Typefaces and Format for Modern Books
Library Review, 1939DURING the past decade we have witnessed a remarkable improvement in the typography of books, although in large part this has been confined to the design of typefaces rather than to the design of the books themselves. “Cold type” has undoubtedly become far more legible and far more aesthetic than it had been for many years.
openaire +2 more sources
Designing a new typeface with METAFONT [PDF]
, 2005 This paper summarizes the conclusions reached as a consequence of two years' work on the design of an original typeface using METAFONT. While being in one sense unsuccessful, in that the design of the typeface is still far from complete, the experience has been instructive in pointing up a number of discrepancies between the underlying assumptions ...
openaire +1 more source
Classifying Typefaces according to DIN [PDF]
, 1994 All of the typefaces pictured in this book, as well as numerous others in the world that cannot be recorded here, can be sorted, categorized and classified according to a wide range of criteria. This process can be conducted according to a variety of requirements fulfilling different purposes.
openaire +1 more source
The Computer Modern Family of Typefaces [PDF]
, 1980 This report gives machine-independent definitions of all the styles of type planned for use in future editions of "The Art of Computer Programming." Its main purpose is to provide a detailed example of a complete family of font definitions using METAFONT, so that people who want new symbols for their own books and papers will understand how to ...
openaire +1 more source
List Of Typefaces Cited Or Discussed
2008This section presents a list of typefaces cited or discussed in the book The Palaeotypography of the French Renaissance. The typefaces include: Roman types; Italic types; Greek types; Gothic types; Hebrew types; Music types; and Arabic, Armenian, Cyrillic and Syriac scripts.Keywords: French Renaissance; palaeotypography ...
openaire +2 more sources
Journal of Hospitality and Tourism Management
Yongrui Guo, Xiaotian Cui, Yuzong Zhao
semanticscholar +1 more source
Yongrui Guo, Xiaotian Cui, Yuzong Zhao
semanticscholar +1 more source