Results 311 to 320 of about 36,361 (349)
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Japanese typeface personalities: Are typeface personalities consistent across culture?

IEEE International Professonal Communication 2013 Conference, 2013
Recent studies have correlated specific typeface features (variety versus contrast versus pat tern) to specific emotional parameters (amusement versus agitation versus focus). These studies provide a systematic explanation for analyzing typeface features and emotional parameters. However, these studies have focused on Roman typefaces.
openaire   +2 more sources

Perception of Luxury and Product Quality in Package Design: Examining the Effects of White Space, Typeface, and Visual Texture

Journal of sensory studies
As consumers gravitate toward luxury brands, marketers face the challenge of conveying perceptions of luxury through package design. This study focused on packaging that only displays the brand logo.
Sayo Iseki, Tomoe Mase, Shinji Kitagami
semanticscholar   +1 more source

Effect of typeface complexity on automatic reading processes

Visible Language
The introduction of variable fonts widened the possibilities for font applications and increased the ease with which typographers could manage their designs.
Myra Thiessen   +4 more
semanticscholar   +1 more source

CRT Typeface Design and Evaluation

Proceedings of the Human Factors Society Annual Meeting, 1987
Reading text from a video display screen is a relatively new modality of human communication. This new technology presents advantages and limitations never considered in the design of typefaces for printed communication. It is well known that people read faster from printed text than from a Cathode Ray Tube (CRT).
Ruth Ann Crespo   +3 more
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The effect of typeface and font size on reading text on a tablet computer for older and younger people

International Cross-Disciplinary Conference on Web Accessibility, 2019
This study investigated the effect of typeface and font size on reading on tablet computers with younger and older participants in Thailand and the UK in Thai and English respectively.
Maneerut Chatrangsan, H. Petrie
semanticscholar   +1 more source

PERANCANGAN TYPEFACE ITIAK PULANG PATANG

Melayu Arts and Performance Journal, 2020
The motif of itiak returns to patang is a sublime cultural heritage of Minangkabau. In Minangkabau society, there are three kinds of carvings that are inspired by nature.
Ifdal Irman
semanticscholar   +1 more source

Typefaces

1996
Abstract We have incredible power over the look of our documents more power than entire print shops of a decade ago. The trick is to use that power effectively for conveying the message. The goal of this chapter is to show you how.
openaire   +1 more source

Adea - Evolving glyphs for aiding creativity in typeface design

GECCO Companion, 2020
Being creative in Graphic Design often requires protected experimentation processes. We present an evolutionary engine for generating glyphs, aiding designers to explore during the creative process.
Daniel Lopes   +2 more
semanticscholar   +1 more source

Display of typefaces

1994
Because the primary interest in this book involves type using digital formats it will be helpful to include all devices displaying typographic characters. As previously mentioned, those machines can be grouped into three categories; visual display terminals, typesetting machines and numerically controlled (NC) machines.
openaire   +2 more sources

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