Results 171 to 180 of about 4,562 (224)
Introduction to Typography [PDF]
Physics Bulletin, 1954 By Oliver Simon. (London : Penguin Books Ltd., in association with Faber and Faber Ltd.). Pp. ix + 117. Price 3s. 6d. Evidence of the increased interest in the design and production of books seems to be provided by the fact that the original version of this book, written by a typographer of repute and published by Faber and Faber in 1945, reached a ...
openaire +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
2009
Typography is broadly defined as the composed arrangement and appearance of text and other elements on a surface that involves elements of design. The editor and graphic designer often cooperate in the process of creating the typography and design for a book, monograph, or journal (in print or online), with the goal of achieving a balance of form and ...
openaire +2 more sources
Typography is broadly defined as the composed arrangement and appearance of text and other elements on a surface that involves elements of design. The editor and graphic designer often cooperate in the process of creating the typography and design for a book, monograph, or journal (in print or online), with the goal of achieving a balance of form and ...
openaire +2 more sources
Learned Publishing, 1994
ABSTRACTConsiders the principles of typography in relation to readers and readability, type of text, editorial methods, and the effects of new electronic publishing options.
John R Miles, John R Miles
openaire +2 more sources
ABSTRACTConsiders the principles of typography in relation to readers and readability, type of text, editorial methods, and the effects of new electronic publishing options.
John R Miles, John R Miles
openaire +2 more sources
Quaerendo, 2010
One of the features of the early printed book compared with its manuscript forerunner, the codex, is that all its lines are the same length, giving the text on the page the shape of a perfect rectangle. Yet in the history of typography that perfection has more than once been eroded.
openaire +2 more sources
One of the features of the early printed book compared with its manuscript forerunner, the codex, is that all its lines are the same length, giving the text on the page the shape of a perfect rectangle. Yet in the history of typography that perfection has more than once been eroded.
openaire +2 more sources
New England Journal of Medicine, 1974
Johann Gutenberg is generally credited with printing some documents in 1454. Now, after 520 years of experience, printers presumably have available equipment characterized by accuracy and uniformit...
openaire +2 more sources
Johann Gutenberg is generally credited with printing some documents in 1454. Now, after 520 years of experience, printers presumably have available equipment characterized by accuracy and uniformit...
openaire +2 more sources
Questionnaire typography and production
Applied Ergonomics, 1975This article describes the typographic principles and practice which provide the basis of good design and print, the relevant printing processes which can be used, and the graphic designer's function in questionnaire production. As they impose constraints on design decisions to be discussed later in the text, the various methods of printing and ...
openaire +3 more sources
ACM SIGGRAPH 2002 conference abstracts and applications, 2002
BioMorphic Typography is a new conception of writing and a morphing typeface driven by biofeedback. It enables users to become aware of their autonomic physiological functions while they type, in real-time. In doing so, BioMorphic Typography seeks to challenge longstanding Western notions about the relationship among the senses, representation, and ...
openaire +2 more sources
BioMorphic Typography is a new conception of writing and a morphing typeface driven by biofeedback. It enables users to become aware of their autonomic physiological functions while they type, in real-time. In doing so, BioMorphic Typography seeks to challenge longstanding Western notions about the relationship among the senses, representation, and ...
openaire +2 more sources
1992
Die Vielfalt der typographischen Mase und Einheiten ist fur den Laien verwirrend und selbst fur den Fachmann zuweilen schwierig. Das Kapitel gibt deshalb eine Ubersicht uber die Mase in der Typographie und zeigt, wie man die verschiedenen Einheiten umrechnen kann.
Jürgen Gulbins, Christine Kahrmann
openaire +2 more sources
Die Vielfalt der typographischen Mase und Einheiten ist fur den Laien verwirrend und selbst fur den Fachmann zuweilen schwierig. Das Kapitel gibt deshalb eine Ubersicht uber die Mase in der Typographie und zeigt, wie man die verschiedenen Einheiten umrechnen kann.
Jürgen Gulbins, Christine Kahrmann
openaire +2 more sources
Langage et typographie / Language and Typography
2010Numéro de : "Livraison : rhinocéros comme revue d'art contemporain", 2010, numéro 13 (revue co-dirigée avec Vivien Philizot) ; International ...
openaire +1 more source