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Pierre Bonnard et le théâtre : le style enfantin partagé avec Ubu Roi d’Alfred Jarry
Pierre Bonnard et le théâtre : le style enfantin partagé avec Ubu Roi d’Alfred Jarryopenaire
Musique pour les soupers du Roi Ubu
, 2010 J’ai appelé cette œuvre Musique pour les soupers du Roi Ubu. Il s’agit d’un « ballet noir » exécuté au cours d’un banquet à la cour d’Ubu. L’académie du pays en question, où est sensé se dérouler le banquet, est citée par Ubu, pour être en fin de compte ...
Zimmermann, Bernd Alois
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1984
Ubu was first revealed to the world on 9 December 1896 by the Theâtre de l’Œuvre, performing on that occasion in the Nouveau Theâtre (now the Theâtre de Paris) at 8.30 p.m. This performance was what is known as the generale, which strictly speaking means final dress rehearsal.
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Ubu was first revealed to the world on 9 December 1896 by the Theâtre de l’Œuvre, performing on that occasion in the Nouveau Theâtre (now the Theâtre de Paris) at 8.30 p.m. This performance was what is known as the generale, which strictly speaking means final dress rehearsal.
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Ubu Roi in W.B. Yeats’s The Green Helmet and The Player Queen
Modern Drama, 2022W.B. Yeats’s presence at the December 1896 Paris performance of Alfred Jarry’s Ubu Roi has become well known for the famous phrase that it inspired: “After us the Savage God.” Yet the significance of Jarry’s play to Yeats’s drama has been almost entirely overlooked.
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