Results 51 to 60 of about 562,816 (200)
Abstract The dividing line between the artistic and literary heritage privatized by copyright and the public domain depends on just one word which is completely alien to the traditional legal jargon: originality. As if it were not enough the essential requirement of copyright is highly polysemic, being its meaning also sensitive to the specific ...
Vincenzo Iaia
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Eco Umberto. La chanson de consommation. In: Communications, 6, 1965. Chansons et disques. pp.
Eco, Umberto
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¿Quién es el culpable? La semiótica de Eco
Este artículo aborda un aspecto por el cual Umberto Eco no se hizo mundialmente famoso, pero que sin lugar a dudas habla de su erudición y sin cuyos antecedentes su novelística no tendría determinadas características que la identifican.
Iván Oñate
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Césaire and Fanon on Fascism: The “Boomerang Effect” Beyond the Metropole
Constellations, Volume 32, Issue 4, Page 601-611, December 2025.
Dallas Jokic
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A text first published in n°111 of Tout l’U, University of Franche-Comté’s magazine, and published here with the kind authorization of this magazine.
Umberto Eco
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James Bond : une combinatoire narrative
Eco Umberto. James Bond : une combinatoire narrative. In: Communications, 8, 1966. Recherches sémiologiques : l'analyse structurale du récit. pp.
Eco, Umberto
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Eco Umberto. La musique et la machine. In: Communications, 6, 1965. Chansons et disques. pp.
Eco, Umberto
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Quelques commentaires sur les personnages de fiction
Putting into form a number of observations and developing an analysis on the status of fiction characters, the author draws on resources coming from history, literature, semiotic, logic et narration.
Umberto Eco
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Anmeldelse af Umberto Eco: "Rosens navn"
n ...
Hans J. Lundager Jensen
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