Results 51 to 60 of about 562,816 (200)

The elephant in the room of EU copyright originality: Time to unpack and harmonize the essential requirement of copyright

open access: yesThe Journal of World Intellectual Property, Volume 28, Issue 2, Page 471-490, July 2025.
Abstract The dividing line between the artistic and literary heritage privatized by copyright and the public domain depends on just one word which is completely alien to the traditional legal jargon: originality. As if it were not enough the essential requirement of copyright is highly polysemic, being its meaning also sensitive to the specific ...
Vincenzo Iaia
wiley   +1 more source

La chanson de consommation

open access: yes, 1965
Eco Umberto. La chanson de consommation. In: Communications, 6, 1965. Chansons et disques. pp.
Eco, Umberto
core   +1 more source

Signo

open access: yesPráxis Pedagógica, 2008
Sin resumen.
Umberto Eco
doaj  

¿Quién es el culpable? La semiótica de Eco

open access: yesChasqui, 2015
Este artículo aborda un aspecto por el cual Umberto Eco no se hizo mundialmente famoso, pero que sin lugar a dudas habla de su erudición y sin cuyos antecedentes su novelística no tendría determinadas características que la identifican.
Iván Oñate
doaj   +1 more source

Césaire and Fanon on Fascism: The “Boomerang Effect” Beyond the Metropole

open access: yes
Constellations, Volume 32, Issue 4, Page 601-611, December 2025.
Dallas Jokic
wiley   +1 more source

Discours prononcé à l’occasion de la remise du titre de Docteur honoris causa de l’université de Franche-Comté, le 28 janvier 2004

open access: yesSociologies, 2016
A text first published in n°111 of Tout l’U, University of Franche-Comté’s magazine, and published here with the kind authorization of this magazine.
Umberto Eco
doaj  

James Bond : une combinatoire narrative

open access: yes, 1966
Eco Umberto. James Bond : une combinatoire narrative. In: Communications, 8, 1966. Recherches sémiologiques : l'analyse structurale du récit. pp.
Eco, Umberto
core   +1 more source

La musique et la machine

open access: yes, 1965
Eco Umberto. La musique et la machine. In: Communications, 6, 1965. Chansons et disques. pp.
Eco, Umberto
core   +1 more source

Quelques commentaires sur les personnages de fiction

open access: yesSociologies, 2010
Putting into form a number of observations and developing an analysis on the status of fiction characters, the author draws on resources coming from history, literature, semiotic, logic et narration.
Umberto Eco
doaj  

Anmeldelse af Umberto Eco: "Rosens navn"

open access: yesReligionsvidenskabeligt Tidsskrift, 1985
n ...
Hans J. Lundager Jensen
doaj   +1 more source

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